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THE EDUCATION OF A POKER PLAYER

With this plainspoken, highly readable coming-of-age story, McManus adds another winning hand to a growing body of work on...

A boy copes with Catholicism, nuns, and such forbidden fruit as girls and gambling in a collection of closely related stories.

In these seven probably autobiographical tales, McManus (Cowboys Full: The Story of Poker, 2010, etc.) follows the thoughts and urges of Vincent Killeen as he ages from 9 to 17 in the 1950s and '60s. Vince is initially devout enough to feel he may have a “calling” to the priesthood, which would delight his grandmother and spare the entire family any time in purgatory, according to Catholic lore. He also appreciates baseball and language, tales of an older relative’s hitch in the navy, the provocative lyrics of “Louie Louie,” the sight of Laura Langan’s bare legs two pews ahead of him at Sunday Mass, and the first inklings of his skill at poker. McManus’ writing is deceptively artless: mundane details related in Vince’s slowly maturing voice track the unexceptional life of a middle-class Irish-American Catholic family in a Chicago suburb, with the obligatory JFK portrait on the wall and the obliging production of numerous offspring. Yet the author gradually forms these common facets of simple people into a sharp, intimate portrait of an intelligent, inquiring mind embracing, then questioning, and inevitably pulling away from the beliefs and strictures of home life. McManus, a novelist and nonfiction writer, has played poker for high stakes in Las Vegas, and in Positively Fifth Street (2003), he wrote a classic about the game with riveting descriptions of poker hands. He achieves that again here in two sessions that have Vince facing very different opponents and challenges. The ironic and irreverent humor mined from Catholic arcana may bemuse the uninitiated, and anyone might question the author’s impulse to catalog Vince’s every erection. But then Catholics probably had little problem with the parallel challenges of Portnoy’s Complaint.

With this plainspoken, highly readable coming-of-age story, McManus adds another winning hand to a growing body of work on the hearts and souls lost to the game of poker.

Pub Date: Oct. 13, 2015

ISBN: 978-1-938160-85-1

Page Count: 320

Publisher: BOA Editions

Review Posted Online: July 19, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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THE MOONS OF JUPITER

In Lives of Girls and Women and The Beggar Maid (the Flo and Rose stories), Canadian short-story writer Munro drew unusual strength and sharpness from the vivid particulars of growing-up with—and growing out from—a stifling yet intense Canadian background. Here, though a few of these eleven new stories reach back to that core material effectively, the focus is looser, the specifics are less arresting, and Munro's alter-egos have moved on to a real yet not-always-compelling dilemma: over 40, long-divorced, children grown, these women waver "on the edge of caring and not caring"—about men, love, sex. In "Dulse," an editor/poet vacations alone, away from a troubled affair—and is confronted by sensuality on the one hand and the "lovely, durable shelter" of celibate retreat on the other. Two other stories feature the hurt and compromise involved in "casual" affairs—casual for the man, perhaps, less so for the woman. And in "Labor Day Dinner," the divorced woman is trying again, but with a sometimes-cruel man ("Your armpits are flabby," he says) whose love must be periodically revived by her displays of (unfeigned) indifference. Still, if these studies of to-care-or-not-to-care uneasiness lack the vigor of earlier Munro (at their weakest they're reminiscent of Alice Adams), a few other pieces are reassuringly full-blooded: "The Turkey Season," about a teenage girl who takes a part-time job as a turkey-gutter and learns some thorny first lessons about unrequited love; the title story, in which a woman's trip to the planetarium illuminates her turmoil (a dying father, a rejecting daughter) with metaphor; wonderful, resonant reminiscences about the contrasting spinsters on both sides of a family. And Munro's versatility is on display in other variations on the caring/not-caring tension—between two aging brothers, between two octogenarians in a nursing-home. Only one story here, in fact, is second-rate ("Accident," an unshapely parable of adultery, guilt, and Fate); Munro's lean, graceful narrative skills are firmly demonstrated throughout. But the special passion and unique territory of her previous collections are only intermittently evident here—making this something of a let-down for Munro admirers.

Pub Date: Feb. 1, 1982

ISBN: 0679732705

Page Count: 256

Publisher: Knopf

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Feb. 1, 1982

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THE COMPLETE STORIES

The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.

Pub Date: Jan. 1, 1971

ISBN: 0374515360

Page Count: 555

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1971

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