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JUNG'S CARTOGRAPHY OF THE PSYCHE

A GUIDE TO TERMS, CONCEPTS, AND INSIGHTS

A highly general Jung primer that’s ultimately unsatisfying.

A synoptic guide to pioneering psychologist Carl Jung’s thought, structured as a glossary of key terms.

According to Driscoll, Jung is the “the modern age’s greatest explorer and cartographer of the self,” but “the revolutionary impact of [his] findings for the entirety of humanity has yet to be grasped.” In an effort to contribute to such intellectual appreciation, the author has composed a concise, single-volume introduction that’s fewer than 200 pages in length, organized as an alphabetical catalog of important terminology. Driscoll diligently covers the fundamental notions of Jung’s psychoanalytic worldview, defining concepts such as archetype and collective unconscious while also attempting to situate Jung’s ideas within the philosophical tradition of his own era. The book also tackles the philosophical notions that Jungian concepts birthed: “Jung was not a philosopher, but his discoveries could provide a basis for future philosophies,” the author notes, particularly highlighting the importance of the psychologist’s “insights on the nature of God, time, and the self and psyche.” As a result, the book is sprinkled with references to William Shakespeare, Franz Kafka, Karl Marx, and other literary and philosophical luminaries. Along the way, Driscoll also draws the reader’s attention to other ideas, such as the ways in which Jungian archetypes are more Kantian than Platonic in character. The end result is a broad, if sometimes excessively general, interpretation of Jung’s “roots in Kant, Schopenhauer, Nietzsche, and Freud,” as well as an assessment of his effect on the philosophical currents of a future that his ideas at least partly inspired.

Driscoll’s overview of Jungian concepts astutely furnishes a philosophical context in which readers will be able to more fully appreciate both their depth and scope. Moreover, he does manage to accomplish his goal of supplying a “modernized and more Americanized Jung” that takes new and evolving conceptions of human sexuality seriously. In this way, the author perspicaciously reveals the ways in which Jung was “limited by the conventions of his times” but not thoughtlessly determined by them. However, the discussions of the psychologist’s intellectual relationship to other thinkers throughout history are so briefly developed that they often amount to little more than references; for example, an explication of the concept of eros in light of St. Augustine’s notion of caritas and St. Paul’s agape never manages to fully come to life. Similarly, the book is filled with judgments of an extraordinarily peremptory nature, such as “Eternity is not a realm separate from Time as Plato, the neo-Platonic tradition, and orthodox Christianity assumed.” The crux of the problem is the book’s format, as it seems counterintuitive that a full explication of Jung’s “organic system” could be composed as an alphabetical list of terms; indeed, even the sequencing of these terms seems philosophically arbitrary. As a result, this book won’t be a particularly helpful guide for those who are relative newcomers to Jung, but it won’t be appropriate for experts, either, who surely will want more detailed and intellectually rigorous treatments than this format can effectively provide.

A highly general Jung primer that’s ultimately unsatisfying.

Pub Date: Sept. 1, 2020

ISBN: 978-1-68053-141-1

Page Count: 248

Publisher: Academica Press

Review Posted Online: Dec. 2, 2021

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THINKING, FAST AND SLOW

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...

A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.

The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.

Pub Date: Nov. 1, 2011

ISBN: 978-0-374-27563-1

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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