Socioeconomic sci-fi on a broad canvas that reads like dire headlines from tomorrow.
After 21st-century wars and catastrophes ravage Earth, the omnipotent multiplanetary corporation Marsco assumes control—but forces within and outside the company plot its downfall.
First-time author Zarzana brings to bear an academic background in this hefty start to his planned sci-fi series, a compulsively readable future history detailing a catastrophic 21st century and the political, economic and social pathologies that leave beaten-down humanity dominated by a callous one-world (one solar system, really) corporate empire. In the 2090s, billions have died as a result of decades of wealth inequality, global resource wars, pandemics, climate change and backsliding scientific ignorance. Enter Marsco (est. 1999), a giant software/IT/space travel monopoly, possessing some of the less savory aspects of Microsoft and the Union Pacific Railroad. Based in Seattle, Marsco remained largely untouched during mankind’s darkest days; using cyberwarfare and conventional weapons, the company technocrats stepped in and seized Earth away from governments. The ruthless corporation has barely improved life on Earth. PRIMS, a vast, war-displaced peasant class, live in backward squalor, while elite castes are marked by Marsco finger-disc implants, permitting social mobility via levels of access to all-important cybernetworks. Opponents of Marsco include Walter Miller, once one of the company’s iconic engineers/innovators, now dwelling amid PRIMS as a high-profile dissident; defeated nationalist leaders and warlords left older but no wiser thanks to cryogenic stasis; and savage, cultish Luddites composed mainly of rebel PRIMS. Zarzana’s story—short on action, dialogue-heavy, but seldom hectoring or pedantic—recalls early Heinlein, without quite so much faith in altruistic, laissez-faire capitalist heroes coming to the rescue. The scale of Zarzana’s imagination is practically Asimov-ian, though one suspects he has many other wonders unrevealed behind the curtain; we never enjoy a tour of Marsco’s actual Martian HQ, for instance. But there’s still plenty ahead and plenty to look forward to in upcoming volumes.
Socioeconomic sci-fi on a broad canvas that reads like dire headlines from tomorrow.Pub Date: July 24, 2014
ISBN: 978-1495925832
Page Count: 674
Publisher: CreateSpace
Review Posted Online: Oct. 9, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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