Of potential use in settings that have other resources on or background knowledge of Passover.
Noa shares her Passover matzah.
Everyone usually shares at school lunch, but one day, the redheaded White girl insists on eating her own lunch. In very simple rhyming couplets, Noa quickly tells her tablemates the reason for eating matzah during Passover. During the Jews’ escape from Egypt, Noa, says, matzah was first created, because “with no time for bread to rise, / it came out flat, about this size.” (The size of the Israelites’ unleavened flatbread is not mentioned in Exodus, a misleading detail evidently added for the sake of the rhyme.) The illustration style sets these pages aside from the modern-day story and renders the Jews and Pharaoh with the same brown skin. Noa brings extra matzah for the rest of the weeklong holiday so that her friends can taste it in different ways: “chocolate matzah, matzah brei… / then a matzah pizza pie!” The book assumes the audience’s familiarity with Passover if not Noa’s racially and ethnically diverse classmates’; there is no glossary and only a limited holiday endnote. At the end, “Noa says, ‘Now you can see / what my matzah means to me. / Sharing it with you this way / makes it a perfect holiday.’ ” This sentiment is, sadly, undercut by Noa’s omission of the traditional welcoming of the Prophet Elijah to the seder. (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 27.1% of actual size.)
Of potential use in settings that have other resources on or background knowledge of Passover. (Picture book. 5-7)Pub Date: Feb. 1, 2021
ISBN: 978-1-5415-8668-0
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A high-spirited night free of frights.
Actor Plaza and writer/producer Murphy join forces for another bewitching picture book.
Halloween is always a dismal time for Pheenie the witch, because her parties are such failures—until the day spunky young Luna Lopez, who yearns to be a helpful bruja like her grandma in Puerto Rico, appears on her porch. The two strike a bargain: Pheenie will instruct Luna in spellcasting in return for Luna’s help planning and organizing a properly spook-tacular event. Luna helps Pheenie clean up the house and encourages her to substitute tasty cider for wormy trick-or-treat apples and to put out kid-friendly snacks like candy corn and cookies in place of the witch’s typical candied spiders and baked troll fingers. The effervescent narrative is further stoked by several rhymed spells and suitably energetic illustrations. Peck sets the tale in a racially diverse urban neighborhood, and as the witching hour approaches (at around eight p.m., according to the clock on the mantel), in troops a group of eager-looking young partygoers in upscale costumes to play hide-and-seek with real ghosts and dance to a goblin band. It’s a Halloween hullaballoo! Elderly Pheenie is pale-skinned; Luna is tan-skinned.
A high-spirited night free of frights. (Picture book. 5-7)Pub Date: July 29, 2025
ISBN: 9780593693018
Page Count: 40
Publisher: Viking
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
Big fun for new readers who are ready to turn their Where’s Waldo skills to finding text.
It’s a bird, it’s a plane, it’s Big Bunny!
Controlled, repetitive text invites children to read short sentences directing them to find “a foot…a hand…a tail,” and so on. These named body parts belong to a figure that isn’t wholly visible until the book’s end, provoking readers to search them out in the detailed images. Their stark whiteness makes them stand out on the pages, which depict a busy, vibrant setting reminiscent of those in Richard Scarry books and are likewise populated by anthropomorphic animals going about their days. Shifting perspective and scale make it clear that the creature is not just another one of these animals, and many readers will use the title and cover image to infer that they belong to the eponymous Big Bunny. The reveal at the conclusion is that Big Bunny is not a giant but a large helium balloon of the sort seen in the Macy’s Thanksgiving Day Parade. While this clever conceit is carried out with accessible text, there is a little quibble: the saturation and intentional busyness of the illustrations leaves little rest for new readers’ eyes. The sentences and vocabulary are simple, but finding them on the page is the challenge here.
Big fun for new readers who are ready to turn their Where’s Waldo skills to finding text. (Early reader. 5-7)Pub Date: Feb. 15, 2016
ISBN: 978-0-8234-3458-9
Page Count: 32
Publisher: Holiday House
Review Posted Online: Nov. 24, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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