Too devoted to the conventions of travelogues past, but offers an unexpectedly enlightening introduction to an unfairly...
After quitting his job, open-minded author Maslin loaded a backpack and hitched to Iran, where he spent nine weeks debunking Western misconceptions.
Travel narratives often conclude that preconceived notions about exotic lands are often absurdly erroneous, a grand tradition that Maslin’s debut enthusiastically perpetuates. Unsatisfied with life in a cubicle, the author decided to take a sojourn to Iran, despite warnings and admonitions from friends who, under the influence of Western media, denigrate the country as little more than a safe haven for terrorists. Casting aside those prejudices upon entering the country, he quickly discovered that, rather than being hated, he received the royal treatment from nearly everyone he met. So enthusiastically welcoming were the residents, in fact, that they generously purchased food and drinks, offered their beds and provided recommendations for and transportation to places of historical interest. The unexpectedly universal hospitality was accompanied by widespread disdain among the people for politicians ranging from the former ruling Shah and current President Ahmadinejad to George Bush and Tony Blair. Conversely, Irish pop singer Chris de Burgh, one of the only non-Iranian artists sanctioned by the government, is revered. Maslin provides a balanced blend of social commentary—including discussions of the role the United States and Britain played in manipulating the Iranian government, and younger Iranians’ fascination with Western culture, including rap music and pornography—and travel guidance, including notes on various bazaars, historical sights and churches). Occasionally the author’s good-natured attempts at humor veer off track and transform his well-meaning hosts into stereotypically crazy foreign caricatures worthy of Sacha Baron Cohen.
Too devoted to the conventions of travelogues past, but offers an unexpectedly enlightening introduction to an unfairly misunderstood country and culture.Pub Date: Nov. 3, 2009
ISBN: 978-1-60239-791-0
Page Count: 288
Publisher: Skyhorse Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
From New York Times reporter Bernstein (Fragile Glory, 1990), a stinging attack on multiculturalism, a ``messianic political program...[that] does not take kindly to true difference.'' Just as the egalitarian ideals of the French Revolution fell into a dÇrapage (slide) that led to the Reign of Terror, Bernstein avers, so the civil-rights revolution has lurched into a leftist intolerance that is contradictory to its professed pluralistic ideals. Broader-ranging than Dinesh D'Souza's Illiberal Education (1990), this analysis covers not only higher education, but also elementary and secondary school systems, state legislatures, corporations, newsrooms, even the National Council of Churches. All of these institutions, it is alleged, are increasingly being assaulted by pious, often well-meaning ``diversity experts'' who peddle fraudulent visions of an oppressive American and Western tradition. Bernstein sensibly contends that racism, sexism, and homophobia are receding to the margins of American life, not growing, as is often claimed. He neatly disposes of claims that today's ethnic and racial groups represent an exotic new force in American life by noting that immigration was proportionately higher in earlier eras, and that today's immigrants, unlike their predecessors, were constantly exposed to American culture before coming here. Bernstein offers chilling examples of how ``diversity'' has been used as a bludgeon by leftists in battle over high school curricula, sexual harassment hearings that deny due process, the commemoration of the 500th anniversary of Columbus's initial voyage to the New World, and school courses that stigmatize ``dead white European males.'' Worst of all, Bernstein charges, diversity advocates, now comfortably lodged in the intelligentsia, question cultural norms that have historically enhanced upward mobility in the US, thereby damaging the disadvantaged whose interest they claim to serve. A sophisticated, tough-minded examination of the newest fault line in late 20th century American culture. (Author tour)
Pub Date: Sept. 7, 1994
ISBN: 0-679-41156-9
Page Count: 384
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
Detroit's story of an undercover sting operation into the Hell's Angels is quick and breezy but insults the reader with its sketchy rendering of a fascinating scenario. One can sympathize with Detroit (a pseudonymous screenwriter), whose account of a police infiltration of the notorious biker gang, naturally invites comparisons with Hunter S. Thompson's authoritative tale. This sparse made-for-TV product pales next to Thompson's searing depictions of life with the Angels. One day in 1977, Orange County police detective Victoria Seele (Detroit uses fictional names throughout the book) accepts an assignment to ride on the back of Clifford Mowery's Harley-Davidson. Mowery, a hardscrabble biker and convict with a long rap sheet, grudgingly offers to serve as an informant in order to stay out of jail. For eight months, the two crisscross Southern California making undercover drug buys from motorcycle-gang members. Seele, with her surfer looks, awkwardly survives parties at which she is the only one not using drugs and not wearing the typical biker garb (denim vest, waist chains, and strap-on buck knife). During one particularly vulgar Angels party, Seele nearly jumps into bed with two other women in order not to blow her cover. Detroit sprays his text with scare phrases, telling us, in case we haven't caught on, that these people are dangerous, and here Seele is risking her life. Occasionally, we are given glimpses into Seele's supposedly deteriorating home life, but like the rest of the details here, these scenes lack the power necessary to instill even a meager visceral attachment to the characters. The pieces (and sources) for a spectacular story are here: leather-clad bikers, courageous cops, and a backdrop of Southern California's sleaziest bars and dustiest back roads. But for all its drama, this is, in the end, forgettable. (Literary Guild selection)
Pub Date: Sept. 1, 1994
ISBN: 0-525-93671-8
Page Count: 272
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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