A brilliant preface, one might guess, to further legal actions against the disgraced former president for his crimes.
The constitutional lawyer and U.S. Representative considers the events of Jan. 6, 2021, and the lawless administration that fomented them.
“How did we end up here, with fascists trashing our Capitol Building and killing people?” asks Raskin, who led the House’s second impeachment proceedings against the former president. His narrative has three strands. The first is personal looking out on the political, recounting the experiences of his father, one of John Kennedy’s “best and brightest,” who left government in opposition to the nuclear arms race. More effective, and saddening, is the second: the suicide of his son, beset by anxiety and depression, who was buried on Jan. 5. The following day brought “strategic violence by extremist elements outside the Capitol…fusing with manipulative tactics inside the Capitol to coerce Vice President Pence and Congress to overthrow the electoral votes in the states and force us into a contingent election.” Raskin makes two related things eminently clear. First, he and other House leaders were prepared for the Republicans’ coercive ploy, albeit surprised that Pence, “despite lots of genuflecting to the disseminators of the Big Lie,” did the right thing. What they were not prepared for, he writes, was an armed mob storming the Capitol and pursuing elected officials through its corridors. For this, Raskin assigns a measure of self-blame, since Alexander Hamilton warned of just such a possibility in the first of the Federalist Papers, and the former president had recruited “thousands of the…‘very fine’ people he had seen marching on the fascist side of the street in 2017 in Charlottesville” to stage his insurrection. Raskin’s detailed account of the second impeachment proceedings goes on at great but not burdensome length, joining Adam Schiff’s Midnight in Washington as a close study in how such matters work.
A brilliant preface, one might guess, to further legal actions against the disgraced former president for his crimes.Pub Date: Jan. 4, 2022
ISBN: 978-0-063-20978-7
Page Count: 448
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 5, 2022
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
An exquisitely original celebration of American Blackness.
A potent series of “notes” paints a multidimensional picture of Blackness in America.
Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.
An exquisitely original celebration of American Blackness.Pub Date: April 25, 2023
ISBN: 9780374604486
Page Count: 392
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 18, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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