A thoughtful look at a complex issue.
A Southern community confronts the meaning of Black power.
In a warmly appealing book debut, Minnicks, winner of the 2021 PEN/Bellwether Prize for Socially Engaged Fiction, considers the fraught question of integration from the perspective of an all-Black community in rural Alabama. It’s 1957, and Alice Young is on her way to Birmingham after fleeing abuse in the segregated town where she grew up. Getting off the bus to stretch her legs, she is incredulous to find herself in a place with no “WHITES ONLY signs and backdoor Negro entrances.” New Jessup, she learns, had been established by freedmen who separated from the White community “across the woods,” where they had worked “from field to house and everywhere inside.” Even after Whites tried to run the Black people of New Jessup off the land, they rebuilt and set down roots, started thriving businesses, a school, a hospital, and farms. But, Alice soon discovers, there are troubles: A growing national movement for desegregation has incited dissension. Some in New Jessup agree with the NAACP that integration will be favorable for Blacks; others, that “independence, and not mixing” is a better goal. In New Jessup, the independence movement is adopted by the National Negro Advancement Society, whose aim is “keeping folks from across the woods outta our hair and our pockets for good!” Alice would prefer to distance herself from politics, but she becomes immersed in the controversy when she falls in love with an NNAS activist. How, the NNAS asks, can separation work for Negro communities? Will integration mean equal rights—or merely upending lives for something neither Blacks nor Whites want? What is a viable path to real power? Minnicks’ impassioned characters struggle with those questions as they think about the consequences of court-mandated integration and the reality of living in a society where, Alice realizes, “not all unwelcoming is posted in the window at eye level.”
A thoughtful look at a complex issue.Pub Date: Jan. 10, 2023
ISBN: 978-1-643-75246-4
Page Count: 336
Publisher: Algonquin
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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