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ALL THAT MATTERS

Should have an emotional weight and impact, but Goldstein’s first fails to move.

A feisty grandmother and Holocaust survivor takes charge of her suicidal grandchild.

Twentysomething Jennifer, found unconscious on the beach in Venice, California, is rushed to the hospital; when she wakes up, she finds that her nana, Gabby, has flown from New York to be by her side. Jennifer’s boyfriend, we learn, had asked her to move out, and as a result she’d taken what she hoped was a lethal dose of Xanax and alcohol. No one seemed to care about her: her father, with a new wife and baby, wasn’t interested in her; and her mother had been killed in an accident on the way to Jennifer’s high school graduation. As for Gabby, her lungs are shot from smoking—she’s got bad emphysema—but she loves life and is determined to find good where she can. Haunted by her own past—she saw her parents and sister killed by the Nazis, went into hiding in a brave Polish woman’s attic and, when betrayed, was saved by partisans—she is the more determined to ensure that Jennifer has a future. After persuading Jennifer’s doctors—and her father, a Hollywood producer—that she can take care of the girl in New York and bring her back to health, the two fly east and Jennifer, reluctantly, moves in with Gabby. Initially, Jennifer resists help, but Gabby, despite her frail health, plans activities she hopes will cheer Jennifer: they clean stables, attend plays, walk in Central Park. Jennifer is still depressed and hasn’t abandoned the idea of suicide, but Gabby has her own survival stratagems, including a car trip to Bar Harbor, Maine, a place that has long held special meaning for her. There, though her own health deteriorates, she makes a final pitch for Jennifer’s life.

Should have an emotional weight and impact, but Goldstein’s first fails to move.

Pub Date: Sept. 8, 2004

ISBN: 1-4013-0110-X

Page Count: 208

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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ROOFTOPS OF TEHRAN

Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.

A star-crossed romance captures the turmoil of pre-revolutionary Iran in Seraji’s debut.

From the rooftops of Tehran in 1973, life looks pretty good to 17-year-old Pasha Shahed and his friend Ahmed. They’re bright, funny and good-looking; they’re going to graduate from high school in a year; and they’re in love with a couple of the neighborhood girls. But all is not idyllic. At first the girls scarcely know the boys are alive, and one of them, Zari, is engaged to Doctor—not actually a doctor but an exceptionally gifted and politically committed young Iranian. In this neighborhood, the Shah is a subject of contempt rather than veneration, and residents fear SAVAK, the state’s secret police force, which operates without any restraint. Pasha, the novel’s narrator and prime dreamer, focuses on two key periods in his life: the summer and fall of 1973, when his life is going rather well, and the winter of 1974, when he’s incarcerated in a grim psychiatric hospital. Among the traumatic events he relates are the sudden arrest, imprisonment and presumed execution of Doctor. Pasha feels terrible because he fears he might have inadvertently been responsible for SAVAK having located Doctor’s hiding place; he also feels guilty because he’s always been in love with Zari. She makes a dramatic political statement, setting herself on fire and sending Pasha into emotional turmoil. He is both devastated and further worried when the irrepressible Ahmed also seems to come under suspicion for political activity. Pasha turns bitterly against religion, raising the question of God’s existence in a world in which the bad guys seem so obviously in the ascendant. Yet the badly scarred Zari assures him, “Things will change—they always do.”

Refreshingly filled with love rather than sex, this coming-of-age novel examines the human cost of political repression.

Pub Date: May 5, 2009

ISBN: 978-0-451-22681-5

Page Count: 368

Publisher: NAL/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2009

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THE LEGEND OF THE LADY SLIPPER

AN OJIBWE TALE

Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)

Pub Date: March 1, 1999

ISBN: 0-395-90512-5

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

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