Like popcorn chicken, this book’s got a nugget of protein at its center.
On the way home from a fair, after failing to win a single ribbon, Chicken’s cage is jolted out of the back of a pickup truck, leaving him to find his own way home to the farm. A comical cast of animals try to help. A bird suggests that he fly home; a frog, who consults a manual claiming that chickens can only fly short distances, is less helpful. When Chicken tries to hide in a hole, a bespectacled mole and enthusiastic turtle try to instill in him the confidence he needs to overcome his fears. By repeating “I am a STRONG and POWERFUL and NICE-LOOKING chicken,” Chicken manages to intimidate a hungry fox, make it back home to the friendly farmer (a beige-skinned figure with overalls and hair in a braid), and even win more ribbons at next year’s fair before the whole ordeal starts over again. The comically heavy-handed message of self-confidence is predictably executed, with Chicken serving as a chaotic antihero. Thomas’ trademark goofy illustrations arranged in comic-style panels hold a great deal of energy, and the Looney Tunes–style humor will get a lot of laughs from young audiences. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 18.5% of actual size.)
Like popcorn chicken, this book’s got a nugget of protein at its center. (Picture book. 3-7)Pub Date: Oct. 6, 2020
ISBN: 978-1-4169-9699-6
Page Count: 56
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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