The joyful clarity of both vision and execution thrills.
Who needs a cookie? Give a mouse a paintbrush!
Janson lives in a museum, in a cozy corner with a pillow and a rose-speckled blanket. One day, she stumbles upon something new, “and her little world opened.” Striding across a gray page, with a soft white glow around her figure to show energy, Janson emerges into a white background and finds—art! Immediately entranced, this self-possessed, humble rodent sets to work copying the masters. A grid of pop-art self-portraits (Janson’s face, with her tenderly expressive eyebrow angle) pays homage to Andy Warhol’s Marilyn series; Janson reclining in a jungle recalls Rousseau; Janson’s snout, elongated and triangulated into cubism, echoes Picasso. Each clean, white page centers Janson at work; an occasional wall angle, easel or dropcloth nimbly enhances the minimal composition. Janson’s gray body and striped skirt are warm hues of low saturation, sending focus to the colors within her artwork: Campbell’s red soup can with mouse face, à la Warhol; blues and yellows for van Gogh’s Starry Night; primaries for a geometric Mondrian mouse and a Munch mouse Scream. When museum renovation bars Janson from the art wing, she weeps, truly bereft, then forges ahead, painting from memory and defining her own style. Discovery and an exhibit follow. Janson’s climactic mousterpiece features canvas texture showing through the paint, honoring her beloved medium.
The joyful clarity of both vision and execution thrills. (notes on 22 artists referenced) (Picture book. 3-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-59643-549-0
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: June 5, 2012
Kirkus Reviews Issue: July 1, 2012
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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