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THE LITTLE PRISONER

A MEMOIR

Shockingly graphic, disturbingly powerful.

Harrowing portrait of a young girl’s brutal abuse at the hands of her stepfather.

After an evaluation by social services determining neglect, Elliott (a pseudonym) and her brother were taken away from their heavy-drinking father and unfaithful mother to be placed in foster care. Limited to seeing her children on supervised visits, their mother continued an affair with Richard, a moody, shifty teenager who swiftly assumed the role of stepfather; he was 18 when the author was returned to her parent’s custody. Elliott’s beloved brother lucked out and was left to be adopted by a respectable family; her mother bragged about manipulating authorities with a bribe stipulating that the couple “only wanted the girl” back. Stepfather Richard, prone to angry rages, hated Elliott on sight and insisted she and the rest of the family (he and her mother eventually had four sons) keep the house spotless, or corporal punishment would follow. The abuse quickly ballooned to catastrophic proportions. Richard spat in her food, viciously beat her, tried to drown her, suffocated her and threatened her with kitchen knives. The author’s mother, clearly aware of the situation, never objected, fearing for her own personal safety. Attempts to run away at age six were met with increased tyranny, psychological torture and humiliation that continued well into Elliott’s adolescence, a physical state that only seemed to amplify her stepfather’s relentless sexual exploitation. Readers will breathlessly whip through Elliott’s explicit, page-turning chronicle, rooting for her to reach some sort of asylum. But even as a young adult with a boyfriend and children of her own, she would see many more years of maltreatment, including the violent backlash from other members of the family after she leaked her story to police. Though Elliott’s stepfather was eventually sentenced to 15 years in prison, questions remain as to how someone carries on with life after such an atrocity has left the scars of abuse deeply embedded in both mind and body.

Shockingly graphic, disturbingly powerful.

Pub Date: July 24, 2008

ISBN: 978-0-06-156131-3

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2008

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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