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SISTER STARDUST

A provocative story about youth culture during the 1960s, overflowing with sex, drugs, and rock and roll.

A small-town British girl relocates to London, where she gets involved with a fast crowd that introduces her to psychedelic drugs, free love, and complicated questions.

In 1960s England, Claire Collins has long yearned to leave rural Dorset and build a bigger life full of glamour. When her widowed father remarries, her desire to hit the road only intensifies. After a particularly nasty fight with her stepmother, Claire boards the first train to London with little more than pocket money and determination. After a dicey beginning, she finds lodging in a hostel and a job working as a shopgirl. Then she meets John McKenna, a young man with connections to the burgeoning British music scene. Before long, John is introducing Claire to one celebrity after another, well-known musicians and famous groupies. On a whim, Claire’s new famous friends bring her to Morocco, where she meets Talitha Getty, the wife of enormously wealthy Paul Getty. As Claire falls under the dizzying spell of riches and nonstop parties, she tries everything her new friends offer her, from LSD to opium and orgies. The more deeply entrenched she becomes, the more she begins to wonder whether the new life she’s created for herself contains more pitfalls than prizes. Chock-full of vibrant historical details about London and Morocco in the 1960s, Green’s first foray into historical fiction does not disappoint. The novel shines brightest when Claire, who narrates, first arrives in London and again when she forms her initial impressions of Morocco. Green portrays the scenery and atmosphere so vividly that readers will be instantly transported. The descriptions of Marrakech, with its bright colors and beautiful architecture, present an especial sensory delight. While Claire seems to believe the story she tells is about Talitha, the narrative is really about an average girl’s brief brush with fame during an unprecedented time, tackling difficult questions of self-doubt, fulfillment, and individual purpose—complete with cameo appearances by Mick Jagger, John Lennon, and a host of others.

A provocative story about youth culture during the 1960s, overflowing with sex, drugs, and rock and roll.

Pub Date: April 5, 2022

ISBN: 978-1-335-42578-2

Page Count: 304

Publisher: Hanover Square Press

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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