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THE REPORTER'S KITCHEN

A joyous feast of food, travel, and human relationships.

The longtime New Yorker European correspondent gathers a selection of her finest food-and-travel essays.

Kramer (Lone Patriot: The Short Career of an American Militiaman, 2002, etc.) shares 13 pieces that she published in the New Yorker between 2002 and 2017. She divides the book into four sections that emphasize theme over chronology. Part I introduces readers to Kramer’s Upper West Side kitchen, a space where food, writing, and memory are inseparable. She remarks how certain topics—for example, French politics—will inspire her to make certain dishes, such as chicken tagine, which she associates with “the French-speaking sheikh whose wives taught me how to make it.” In Part II, Kramer offers in-depth profiles of respected food writers and chefs from around the world. In one essay, she tells the story of how a mutual interest in Asian cuisine and traveling brought Jeffrey Alford and Naomi Duguid into an elite circle of food scholars; in another, the author narrates how Yotam Ottolenghi, a brilliant philosophy student, followed his passion for cooking from his native Jerusalem to London, where he opened a wildly successful fusion restaurant. The author’s own adventurous spirit takes center stage in Part III, where she reflects on such subjects as her never-ending personal improvement “quest” to collect cookbooks; her quirky interest in root vegetables and forks; and on how an experiment in foraging eventually led her to Denmark and René Redzepi, the forager-chef/visionary behind the world-famous Noma restaurant. In Part IV, Kramer explores the relationship between food and various forms of ritual. She discusses Thanksgiving and her experiments observing this most revered of American traditions during one summer in Italy. As she notes in the concluding essay, celebrations—especially those that include food—mark a “passage from the ordinariness of daily life into the next round of daily life by way of a salubrious diversion.” Eloquent and charmingly loquacious, Kramer's essays are sharp and insightful.

A joyous feast of food, travel, and human relationships.

Pub Date: Nov. 21, 2017

ISBN: 978-1-250-07437-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Sept. 3, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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