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OH GIVE ME A HOME

A buoyant, beautiful explication of cultural adjustment as seen through a child’s eyes.

In this eloquent verse memoir, a young girl’s understanding of home evolves.

Kurtz offers readers a deeply personal vision of her unique childhood. Thanks to her World War II veteran father, a Protestant minister, she was raised in Maji, a small village in the mountains of Ethiopia, where she was home-schooled by her mother. A white girl born in America, young Janie had a happy and full life in Ethiopia. She played with her four sisters, concocted schemes to procure a pet, and reveled in sensory experiences specific to her rural East African childhood—a misty waterfall, aromatic spices, sour breads, and encounters with wild animals. At the same time, she remained conscious of her parents’ concerns, especially her mother’s anxiousness as her belly grew with a new pregnancy. Jane, in turn, began to worry that change was imminent—and it was soon confirmed that the family would return to America for a year. The memoir’s latter half chronicles their long journey to their temporary home in Idaho, where Jane entered third grade and experienced a deep sense of displacement: “In Boise, / I look like I belong. / I sound like I belong. / But I’m different, too. / Different on the inside.” Free verse perfectly captures Janie’s thought processes—wistful, scattered, at once self-centered and keenly attuned to others’ emotions. This youthful perspective makes Kurtz’s recollections from years ago feel fresh and immediate.

A buoyant, beautiful explication of cultural adjustment as seen through a child’s eyes. (Verse memoir. 8-12)

Pub Date: July 8, 2025

ISBN: 9781960803207

Page Count: 240

Publisher: Catalyst Press

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE BOY WHO FAILED SHOW AND TELL

Though a bit loose around the edges, a charmer nevertheless.

Tales of a fourth grade ne’er-do-well.

It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.

Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-64723-5

Page Count: 208

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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WHAT JEWISH LOOKS LIKE

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world.

This wide-ranging collection of short biographies highlights 36 Jewish figures from around the globe and across centuries.

Explicitly pushing back against homogenous depictions of Jewish people, the authors demonstrate the ethnic, racial, and gender diversity of Jews. Each spread includes a brief biography paired with a stylized portrait reminiscent of those in Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls (2016). A pull quote or sidebar accompanies each subject; sidebars include “Highlighting Jewish Paralympic Athletes,” “Jewish Stringed Music,” and “Ethiopian Jews in Israel.” Kleinrock and Pritchard’s roster of subjects makes a compelling case for the vastness and variety of Jewish experience—from a contemporary Ethiopian American teen to a 16th-century Portuguese philanthropist—while still allowing them to acknowledge better-known figures. The entry on Raquel Montoya-Lewis, an associate justice of the Washington Supreme Court and an enrolled member of the Pueblo Isleta Indian tribe, discusses her mission to reimagine criminal justice for Indigenous people; the sidebar name-checks Ruth Bader Ginsburg and Elena Kagan. The bios are organized around themes of Jewish principles such as Pikuach Nefesh (translated from the Hebrew as “to save a life”) and Adam Yachid (translated as the “unique value of every person”); each section includes an introduction to an organization that centers diverse Jewish experiences.

A celebration of progressive Judaism and an inclusive primer on Jews making a difference in the world. (resources) (Nonfiction. 8-12)

Pub Date: Sept. 24, 2024

ISBN: 9780063285712

Page Count: 128

Publisher: Harper/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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