A sometimes tough read that will appeal to readers wondering if those who die can stick around for just a little longer.
After a 37-year-old woman dies, she spends one last summer watching those she left behind work through their grief.
Julia Morse is at the height of her happiness—successful in her career as an editor, married for 10 years to the love of her life, pregnant with their first baby—when it all comes crashing down and she's fighting for her life after a cancer diagnosis that was, quite simply, discovered too late. Ben, her husband, a sportswriter-turned-novelist on deadline for his latest book, is shattered by her death. Rather than sitting shiva at their Manhattan apartment for seven days, as had been the plan, he leaves for their beach house on Fire Island. He spends the summer processing his grief with their group of close-knit neighbors and friends: Shep, the octogenarian who also lost his wife; Renee, Julia’s best friend, who has barely survived an acrimonious divorce; Matty, Renee’s 16-year-old son, who's grown up spending summers on the island; Pam and Andie, whose baby, Oliver, was conceived around the same time as Julia and Ben’s never-to-be-born child; and many others. Julia watches the summer unfold, sharing her thoughts and opinions about it all. Author Rosen has created a neat and tidy story about grief in which everything is wrapped up by the end. Some readers will find the emotional aspects of the novel tough to process, and having Julia as narrator can prove confusing, as sometimes she seems to have knowledge of the interior thoughts and emotions of the people she’s watching while at other times she's just an observer. Themes of heartbreak, death, divorce, infidelity, and family strife are all addressed, as are finding love after heartbreak and happiness after grief.
A sometimes tough read that will appeal to readers wondering if those who die can stick around for just a little longer.Pub Date: May 23, 2023
ISBN: 9780593546109
Page Count: 320
Publisher: Berkley
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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