Slow-paced and dialogue-heavy, as is typical for Lindskold, with a wildly unbelievable climax that undercuts strongly...
A young pistol-packing American girl accompanies her uncle, a wealthy British archaeologist, on a Victorian-era quest up the Nile.
Using a device that’s also central to her fantasy trilogy (The Dragon of Despair, 2003, etc.), Lindskold puts Jenny Benet, an orphan with survival skills honed on the American frontier, on a dangerous quest that has to do, ironically and dramatically, with notions of innocence, inheritance, and femininity. After her parents are lost in an Indian raid, Jenny travels to England to meet her uncle, Sir Neville Hawthorne. Some twenty years previously, Sir Neville was knighted for assisting a relative of Prince Albert’s escape from a desert tribe guarding the tomb of Pharaoh Neferankhotep. Now Sir Neville wants to return to solve peculiar mysteries surrounding the pharaoh, including the possibility that Neferankhotep was the biblical Moses. Competing for Sir Neville’s attention is Lady Audrey Cheshire, who also wants to make a name as an Egyptologist. After assembling a crew of servants and scholars, Sir Neville departs with Jenny for Egypt. En route, he receives coded letters from an enigmatic character named Sphinx warning him to stay away, and for about two hundred pages, the novel resembles one of Agatha Christie’s archaeological mysteries as Jenny and Sir Nigel try to guess who among their retinue or those awaiting them in Egypt is increasingly making threats, culminating in a knife attack by a figure costumed as Anubis, the jackal-headed Egyptian god of the dead. Sharp shooting from Jenny saves Sir Neville’s life, but Sphinx’s identity isn’t revealed until Sir Nigel locates the tomb and finds himself reunited with Lady Audrey and her competing expedition. Bedouin tribesmen lock everyone inside, where a supernatural presence takes them on a cosmic voyage—with real-world dangers—to a divine judgment putting the entire science of archaeology on trial.
Slow-paced and dialogue-heavy, as is typical for Lindskold, with a wildly unbelievable climax that undercuts strongly realistic beginnings.Pub Date: June 1, 2004
ISBN: 0-765-30260-8
Page Count: 400
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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