Firekeeper steals every scene, but Lindskold’s penchant for distracting subplots, tedious dialogue, and multiple points of...
Overlong third volume, not conclusion so much as continuation of the fantasy adventures of Firekeeper, a teenaged girl of royal descent raised by wolves, who finds much to fight and fear.
Having helped vanquish the magical machinations of Queen Valora in Wolf’s Head, Wolf’s Heart (2002, etc.), Firekeeper, her wolf sidekick Blind Seer, and best buddy Damian Carter travel back to the ruined forest encampment where the infant Lady Blysse was rescued from calamity by a pack of wolves, to find a thriving human settlement. Some members of her pack tell Firekeeper (who can speak eloquently with them and other animals) that they see the humans as a threat and might kill them if they continue to breed. Firekeeper asks King Tedric of Hawk Haven to do something he fears he can’t: tell the settlement to pull up its stakes and leave. Meanwhile, Malora, another of Firekeeper’s vile, sorcerous relatives who bewitched her five daughters in the previous installment, has fled to the magical/pre-industrial land of New Kelvin, where she’s used her magic to seduce and marry the youthful Toriovico, who not only has significant political influence but is hereditary custodian of New Kelvin’s magical past. Citrine, one of Malora’s bewitched daughters, has not recovered mentally and physically from her mother’s wickedness. To help Citrine and learn more about Malora’s intentions, King Tedric dispatches Lady Elise Archer, with Firekeeper (who believes she is destined to kill Malora), Blind Seer, Damian, Citrine (in disguise) and Grateful Peace, along with others, to New Kelvin, where they learn that Malora wants to use her magic to seek out the legendary dragon rumored to dwell somewhere below New Kelvin, and use the dragon’s power to dominate the realm. After the dragon bursts from its obsidian prison and Malora meets her fate, Firekeeper and Blind Seer light out for the territories. Do even more adventures await?
Firekeeper steals every scene, but Lindskold’s penchant for distracting subplots, tedious dialogue, and multiple points of view stalls a story that starts too slowly and never gains momentum.Pub Date: Aug. 1, 2003
ISBN: 0-765-30259-4
Page Count: 640
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2003
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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