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THE VERIFIERS

With an inquisitive, clever, and curious narrator, this adventurous mystery is both scary and hilarious.

A cool, cerebral, and very funny debut novel about a young woman who works for an agency that investigates potential online dating partners and who has relationship questions—and quests—of her own.

Claudia Lin has a pretty excellent job. She works at Veracity, a detective agency that helps vet potential partners for clients pursuing romance via dating apps. Claudia is very much into literary mysteries—her go-to comfort reading is a murder-mystery series featuring one Inspector Yuan—as well as literature in general. Her astute, often acerbic observations prove a heady combination, contributing to Claudia’s engaging voice: She keeps the narrative moving at a fast-paced clip. When a new client wants Veracity to investigate a recent online flirt who’s ghosted said client—and when this request is followed in quick succession by another verification request—Claudia is all in, ably abetted by Finders Keepers, a proprietary app that can track people’s whereabout through their cellphones. Meanwhile, in her personal life, Claudia has a stake in keeping her own secrets hidden from her more conventional immigrant family: Not only is she dead set against the type of Chinese husband her mom wishes for her, she also regularly measures herself against her much higher achieving brother and sister. Beautifully complemented by entertaining secondary characters that include Claudia’s artistic roommate, Max, and Lionel, Claudia’s sister’s boyfriend, Claudia is the seductive protagonist in a tale that delves into the dark heart of contemporary technology, not to mention the foibles of the human heart.

With an inquisitive, clever, and curious narrator, this adventurous mystery is both scary and hilarious.

Pub Date: Feb. 22, 2022

ISBN: 978-0-593-31379-4

Page Count: 368

Publisher: Vintage

Review Posted Online: Nov. 29, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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HEART THE LOVER

That college love affair you never got over? Come wallow in this gorgeous version of it.

A love triangle among young literati has a long and complicated aftermath.

King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.

That college love affair you never got over? Come wallow in this gorgeous version of it.

Pub Date: Oct. 7, 2025

ISBN: 9780802165176

Page Count: 256

Publisher: Grove

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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