by Jane Ridley ‧ RELEASE DATE: Dec. 3, 2013
There is no shortage of biographies of Edward VII, but this thick, lucid and lively history deserves pride of place on the...
A highly readable, definitive biography of Queen Victoria’s son, the “black sheep of Buckingham Palace” who matured into an effective monarch.
Originally aiming at a short life of Edward VII (1841–1910), the eponymous British king who gave his name to an age, Ridley (History/Buckingham Univ.; Young Disraeli, 1804- 1846, 1995) unexpectedly received unrestricted access to Edward’s papers in the Royal Archives, a privilege not granted in 50 years. This proved irresistible; the author spent 10 years writing this top-notch life of the king. Edward’s mother, Queen Victoria, turns out to be not at all Victorian, but highly sexed, hysterical, as politically assertive as her grandfather and a terrible mother. Readers will flinch at the brutal educational regimen inflicted on her nine children, documented as if it were an affair of state. Unlike his siblings, Edward was not bright enough to absorb it or clever enough to sidestep the worst features. During a long, frustrating adulthood, he achieved some independence but never escaped the baleful influence of his mother. Until her death, when Edward was nearing 60, she persistently hectored him for his idle, irresponsible life while refusing to allow him any significant political duty on the grounds that he was idle and irresponsible. His playboy image was largely deserved during his youth, less so when he matured, both in years and in his treatment of women. Ridley emphasizes that not only did he become a wise and reforming king, but that his achievements have been underestimated through efforts of contemporary leaders, such as Arthur Balfour and H.H. Asquith, to suppress his contributions.
There is no shortage of biographies of Edward VII, but this thick, lucid and lively history deserves pride of place on the shelf.Pub Date: Dec. 3, 2013
ISBN: 978-1-4000-6255-3
Page Count: 752
Publisher: Random House
Review Posted Online: Sept. 27, 2013
Kirkus Reviews Issue: Oct. 15, 2013
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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by Richard Wright ; illustrated by Nina Crews
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by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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