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THE VOYAGE HOME

A complex story exploring the moral repercussions of acting or not acting.

Another well-researched psychologically astute novel from Rogers (Island, 2000, etc.).

An intriguing counterpoint is set up here between the present and the past. In 1999, Anne Harrington is taking the body of her father, a vicar, by ship from Nigeria to England for burial; and, while aboard the ship, she reads her father’s Nigeria journals, set in the early 1960s, when he was a missionary there. Wandering at night on the ship, Anne discovers Joseph, a Nigerian stowaway, who leads her to his deathly ill pregnant wife and begs her to keep their presence secret. Anne’s naiveté leads to disastrous results. She tries to help, giving the woman antibiotics and enlisting the first mate—who, seizing upon his advantage, beds her and then tells her the whole crew knows she is a “slag.” Shamed, and with no recourse, she’s incapable of finding out what has happened to the woman and her unborn child; all she knows is that crew members hate stowaways because they’re fined if a ship is found carrying them. Anne doesn’t reveal where Joseph is, and hopes that he has survived the voyage. Meanwhile, in her father’s journal, she discovers his secrets: after she was born, he had gotten a Nigerian woman pregnant and been removed from his position; her mother had had an affair with his boss; this is why he never visited them after the divorce. Given a second chance, he ends up in Biafra, caring for the mangled soldiers and starving children of the civil war. Back home in England, Anne is able to track down Joseph, who has indeed made it to England, but he wants nothing to do with her. Filled with guilt, she suffers a breakdown. In a final twist, four years later, she ends up married, submissive once again, and struggling to bear a child. In her father’s journal, she discovers a final secret: on his last day alive, her father learned that his Nigerian daughter had been sold into prostitution in Italy.

A complex story exploring the moral repercussions of acting or not acting.

Pub Date: July 20, 2004

ISBN: 1-58567-509-1

Page Count: 336

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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HAUNTING PARIS

A curious fusion of the predictable and the unconventional which, given the appetite for Paris, love, and wartime tragedy,...

While a timid French music teacher grieves the death of her partner, outside, on the streets of Paris, his ghost lingers, lending historical context and soulful musings to a story of unresolved anguish and late love.

Chaudhry’s elegant debut rests on an unusual and risky premise: It is narrated in part by a soul in limbo. Julien Dalsace has died before the story opens, and his old-fashioned voice sets the scene: “The scent of lilacs on the breeze stirs dormant phantoms to life, but music is sorcery more potent.” We are in Paris in the year of the bicentennial, 1989, observing, like Julien, the struggles of his surviving partner, Sylvie, to cope with her loss. Julien, although spectral, is the novel’s lynchpin. The romance between him—an older, upper-class, married Jewish psychologist—and the quiveringly sensitive piano teacher is the beating heart of the story. But there’s another thread, taking the reader back to 1942, when the Jews of Paris were rounded up and deported, including Julien’s sister, Clara, and her twin daughters. Julien never forgave himself for his absence in London during World War II and his failure to save Clara, but a secret folder that emerges after his death offers Sylvie the opportunity to conclude his quest to discover the fate of Clara’s girls. Julien’s curious perspective—on history, on other ghosts, on the beauty but complexity of France generally and the Île Saint-Louis, his corner of Paris, in particular—is the novel’s most original aspect. Elsewhere, while Chaudhry brings a kind of reverent seriousness to events both past and present, her approach is more familiar. Characters are often simple, like the kindly Jewish baker, the protective (but kindly) concierge, the sympathetic American lodgers, and even Sylvie’s anthropomorphized terrier, Coco. And resolutions, even sad ones, arrive with coincidence and ease.

A curious fusion of the predictable and the unconventional which, given the appetite for Paris, love, and wartime tragedy, might well touch a popular nerve.

Pub Date: June 18, 2019

ISBN: 978-0-385-54460-3

Page Count: 288

Publisher: Nan A. Talese

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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THE NINTH HOUR

Everything that her readers, the National Book Award committee, and the Pulitzer Prize judges love about McDermott’s stories...

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  • National Book Critics Circle Finalist

In Brooklyn in the early 20th century, The Little Nursing Sisters of the Sick Poor are intimately involved in the lives of their community.

When a depressed young man with a pregnant wife turns on the gas in his apartment and takes his own life, among the first to arrive on the scene is an elderly nun. “It was Sister St. Savior’s vocation to enter the homes of strangers, mostly the sick and the elderly, to breeze into their apartments and to sail comfortably through their rooms, to open their linen closets or china cabinets or bureau drawers—to peer into their toilets or the soiled handkerchiefs clutched in their hands.” By the time the fatherless baby is born, St. Savior will have been so instrumental in the fate of the young widow that the baby will be her namesake, called Sally for short. Sally will be largely raised in the convent, where her mother has been given a job helping out with laundry. The nuns also find a friend for the new mother—a neighbor with a houseful of babies—then they finagle a baby carriage, and “the two young mothers negotiated the crowded streets like impatient empresses.” This desperately needed and highly successful friendship is just the beginning of the benign interference of the Sisters in the private lives and fates of their civilian neighbors. Partly told by a voice from the future who drops tantalizing hints about what’s to come—for example, a marriage between the occupants of the baby carriages—this novel reveals its ideas about love and morality through the history of three generations, finding them in their kitchens, sickbeds, train compartments, love nests, and basement laundry rooms.

Everything that her readers, the National Book Award committee, and the Pulitzer Prize judges love about McDermott’s stories of Irish-Catholic American life is back in her eighth novel.

Pub Date: Sept. 19, 2017

ISBN: 978-0-374-28014-7

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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