Intergenerational love at its most tender and sweet.
It’s a wonderful day for Ruthie and Zayde.
Mom and Dad are helping Bubbe prepare for the Passover seder, so Ruthie is ready to help make Zayde’s first solo babysitting experience a success. Mom has provided an itemized list of activities for Zayde to keep Ruthie occupied, wear her out, and get her ready for the seder. The activities include preparing a Passover art project, shopping for the seder, having fun in the playground, searching for and discarding breadcrumbs, and more. Since Ruthie does need to be awake for the long night ahead, a nap is required. Each numbered item appears at the top of a page and is followed by colorful illustrations that joyfully enhance the text and demonstrate that while they complete every task on the list, it might not be the way Ruthie’s mother intended. Ruthie pushes Zayde in the shopping cart at the grocery store, Zayde does a handstand and whooshes down the slide at the playground, Zayde needs Ruthie to pull him out from under the sink while they’re cleaning, and Zayde is the one who has the nap while Ruthie is wide awake. At Bubbe’s house, the seder table is set, Zayde leads the seder, and diverse friends and family are on hand to make it a special night of good food, traditions, and songs. Readers will find themselves giggling with delight at the antics and wanting more of Ruthie and Zayde. The protagonists are light-skinned.
Intergenerational love at its most tender and sweet. (about Passover) (Picture book. 3-9)Pub Date: Jan. 7, 2025
ISBN: 9798765619889
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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