An ambitious conclusion that does not quite hit its mark.
A boy and a gargoyle are pitted against the devil.
In 1930s Edinburgh, Scotland, street urchin Craig works with Silex, a fearsome, fanged demon imprisoned in a gargoyle’s form affixed high upon a church ledge. Silex knows that hellions from the underworld walk among humans and, with Craig’s assistance, seeks to keep the mortal world free from their impious intentions. After an argument in which Silex mentions his previous young helper, Craig decides to seek him out to learn about their disunion. He finds the boy in an asylum and, to his surprise, discovers that he is possessed by the Prince of Darkness himself. Soon, Silex and Craig are fighting the ultimate battle between good and evil; will Silex finally be able to triumph over the devil? With a hearty dose of Christian influence and a well-wrought gothic atmosphere all set against the background of a continual Scottish burr, this trilogy closer manages to be expressive in its depiction of Scotland, however rushed in its action and weak in character development. The black-and-white art is downright moody and dark; its visual intricacy vacillates between terrifying renderings of demons and shadowy and indistinct scenes of Scotland, making for an ambiance that seems intentionally disconcerting. All characters appear to be white and, for the most part, male.
An ambitious conclusion that does not quite hit its mark. (Graphic historical thriller. 12-adult)Pub Date: Nov. 5, 2019
ISBN: 978-1-5415-7288-1
Page Count: 88
Publisher: Graphic Universe
Review Posted Online: Aug. 12, 2019
Kirkus Reviews Issue: Sept. 1, 2019
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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