by Jane Yolen ‧ RELEASE DATE: March 1, 1979
When the giants of Fe-Fi-Fo-Farm go camping, Dab, "the little giant," drives the camper because "he was the only one who fit behind the wheel." Once into the mountains, Dab shows twins Grab and Grub what a hammock is for; ever-hungry Stout catches a fish but can't bring himself to kill and eat it; Grizzle makes friends with a bear—whom he first fears as a monster but then introduces to the others as dog Spot ("I know you are really a bear. But they would never let me keep a bear for a pet"); and finally, on Dab's orders, they pack up and go home. Yolen relates the five flimsy bits in jerky easy-readerese and, as in The Giants' Farm (1977), she relies on the turnabout trick of the little giant's superior wisdom to give them a needed twist—but Dab is no more engaging than he was before, which is to say no more than any other know-it-all kid.
Pub Date: March 1, 1979
ISBN: N/A
Page Count: -
Publisher: Seabury
Review Posted Online: May 12, 2012
Kirkus Reviews Issue: March 1, 1979
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton & Leo Trinidad
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by Sandra Boynton & illustrated by Sandra Boynton & developed by Loud Crow Interactive & Read by Billy J. Kramer ‧ RELEASE DATE: March 7, 2011
None
Preserving the look of the classic board book—even to the trim size and rounded corners—this makeover folds new into old in such inventive ways that it may take more than a few passes to discover all the interactive features. Aboard a ship that rocks in response to a tilt of the tablet a set of animal passengers bounce belowdecks. First they take a bath featuring user-created bubbles, and then they brush their teeth using water so hot that the whole screen hazes up with wipe-able “steam.” Pajama-clad, all then wobble—or, tweaked by a finger, rocket—back outside for a bit of exercise before bed. (Readers control this part by twirling the moon.) In the finest animation of all, every touch of the night sky in the final scene brings a twinkling star into temporary being. Along with making small movements that resemble paper-engineered popup effects, Boynton’s wide eyed passengers also twitch or squeak (or both) when tapped. And though they don’t seem particularly sleepy or conducive to heavy lids, an optional reading by British singer Billy J. Kramer (whose well-traveled voice also pronounces each word individually at a touch), backed by soothing piano music, supplies an effectively soporific audio. “The day is done. / They say good night, / and somebody / turns off the light.” This is as beautiful as the developer’s earlier PopOut! Peter Rabbitwhile styling itself perfectly to Boynton's whimsy. (Ipad board-book app. 1-3)
None NonePub Date: March 7, 2011
ISBN: N/A
Page Count: -
Publisher: Loud Crow Interactive
Review Posted Online: March 13, 2011
Kirkus Reviews Issue: April 15, 2011
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