Hickman explores the question of how deeply personal beliefs should be subordinated in the name of fitting into a religious community, in a tightly woven coming-of-age story based on an 1910 incident involving a group of Shakers near Lebanon, Ohio. After the death of his wife, Susannah's father desperately seeks stability and security. He joins a small band of Shakers whose emphasis on communal values rather than the bond between parent and child dismays Susannah. While living under the constant surveillance of the irascible Sister Olive Gatewood, Susannah befriends Mary, a small child whose mother has left the Believers, as they are called, and is now desperate to get her daughter back. Faced with the momentous choice of whether to embrace her freedom when it is offered or to remain as Mary's protector, Susannah makes a decision that affects the rest of her life. A worthy successor to Hickman's Jericho (1994), this is a thoughtful look at a piece of religious history and is a good choice for readers interested in the Shakers. (Fiction. 10-14)
Pub Date: Oct. 1, 1998
ISBN: 0-688-14854-9
Page Count: 140
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
BOOK REVIEW
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
Like Paul Fleischman’s Path of the Pale Horse (1983), which has the same setting, or Anna Myers’s Graveyard Girl (1995),...
In an intense, well-researched tale that will resonate particularly with readers in parts of the country where the West Nile virus and other insect-borne diseases are active, Anderson (Speak, 1999, etc.) takes a Philadelphia teenager through one of the most devastating outbreaks of yellow fever in our country’s history.
It’s 1793, and though business has never been better at the coffeehouse run by Matilda’s widowed, strong-minded mother in what is then the national capital, vague rumors of disease come home to roost when the serving girl dies without warning one August night. Soon church bells are ringing ceaselessly for the dead as panicked residents, amid unrelenting heat and clouds of insects, huddle in their houses, stream out of town, or desperately submit to the conflicting dictates of doctors. Matilda and her mother both collapse, and in the ensuing confusion, they lose track of each other. Witnessing people behaving well and badly, Matilda first recovers slowly in a makeshift hospital, then joins the coffeehouse’s cook, Emma, a free African-American, in tending to the poor and nursing three small, stricken children. When at long last the October frosts signal the epidemic’s end, Emma and Matilda reopen the coffeehouse as partners, and Matilda’s mother turns up—alive, but a trembling shadow of her former self.
Like Paul Fleischman’s Path of the Pale Horse (1983), which has the same setting, or Anna Myers’s Graveyard Girl (1995), about a similar epidemic nearly a century later, readers will find this a gripping picture of disease’s devastating effect on people, and on the social fabric itself. (Fiction. 11-13)Pub Date: Sept. 1, 2000
ISBN: 0-689-83858-1
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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