by Janet Tashjian ‧ RELEASE DATE: Nov. 1, 2001
Josh Swensen is a prodigy. At age two, he did algebraic equations with refrigerator magnets. His mother’s threats of “no science homework after dinner” were enough to keep his behavior in line. His first word, shouted from his car seat, was “FASTER!” Now a self-proclaimed rebel against consumer culture and a latter-day Thoreau, Josh has created Larry, his Internet alter ego with his own Web site, where Larry delivers sermons railing against the control of our lives by advertising companies and our “culture that worships people just for being famous.” Josh steals ads from his advertising-consultant stepfather’s briefcase, manipulates the images into anorexic Gap models, cigarette ad models hooked up to oxygen machines, and swooshes turned into swastikas, and puts them on the Web site. Following a fortuitous alliance with Bono and U2, and a Woodstock-like event called Larryfest, Larry takes on a life of his own. The festival draws hundreds of thousands of fellow pilgrims and spiritual seekers, and the Web site now can’t handle the 255 million hits it receives daily. Josh, through Larry, has become what he never intended to be—a celebrity—and he must find a way to pull the plug. Told in Josh’s first-person narrative laced with Larry’s sermons and photographs, the story accelerates with Larry’s rise as a cult leader. Tashjian’s inventive story is a thrilling read, fast-paced with much fast food for thought about our consumer-oriented pop culture. A parallel narrative about Beth, Josh’s childhood friend and secret love, works nicely, too. The voice is clear, the ending satisfying. Teenagers will eat this one up. (Fiction. YA)
Pub Date: Nov. 1, 2001
ISBN: 0-8050-6378-1
Page Count: 227
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
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by Ellie Marney ‧ RELEASE DATE: Sept. 20, 2022
A deftly balanced mix of history, intrigue, and romance.
Against the backdrop of World War II, four young women codebreakers put their minds together to find a serial killer.
It’s early 1943, and Arlington Hall, a one-time girls’ school in Virginia, is now the site of a covert intelligence facility where an 18-year-old former maid secretly assumes the new identity Kit Sutherland and becomes a codebreaker. A night out turns deadly when one of their own is murdered, and Kit stumbles across her body in the bathroom. Kit, roommate Dottie, and Moya, the supervisor of their floor, work alongside Violet, one of the Black girls from the segregated codebreaking unit, to bring the culprit to justice. As the budding friends turn their sharp minds and analytical abilities to covertly investigating what turns out to be a series of murders, Kit struggles to keep her own dangerous secret—and her attraction to Moya—under wraps. Meanwhile, Moya will do everything in her power to help her girls while trying not to fall in love with Kit. The novel deftly addresses questions of inequality across class, race, and sexuality in a story that combines well-researched historical background with a nifty whodunit, a strong focus on friendship, and an empowering queer romance. The narrative follows Kit and Moya, making them the better developed characters in the largely White cast. An author’s note includes many resources about the real women whose behind-the-scenes espionage work informed this story.
A deftly balanced mix of history, intrigue, and romance. (Historical thriller. 14-18)Pub Date: Sept. 20, 2022
ISBN: 978-0-316-33958-2
Page Count: 384
Publisher: Little, Brown
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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by Edward Underhill ‧ RELEASE DATE: Feb. 14, 2023
A warm, optimistic transgender coming-of-age and queer romance.
Sixteen-year-old Miles has two goals for the year: beat his rival at the Tri-State Piano Competition and win back his ex-boyfriend.
Miles Jacobson, a White trans boy from Wisconsin, had been dating Shane McIntyre for a year before Miles came out and Shane broke up with him. He believes that if Shane really loved him, his gender shouldn’t matter. But Miles’ New Year’s resolution to win Shane back is complicated by the arrival of Eric Mendez, a cute Latine guy who actually is queer and also likes Miles. As Miles works toward his piano goals with Stefania Smith, his demanding new teacher, a romance blossoms with Eric—even though Miles still has Shane on the brain. Underhill makes it clear in a preface that this is a joyful queer story, and it lives up to that promise. The book captures the delight of being not just accepted, but also understood—as well as the pains of being misunderstood. It celebrates Miles’ real triumphs, from finding a suit that fits to mastering a Tchaikovsky concerto. Miles is likable and relatable as he tries to discover who he is on his own terms, not based on what others think of him. The author has chosen to include Miles’ birth name prominently; this is uncomfortable but realistic for someone early in his transition. The supporting characters, especially Stefania, are well developed and bring life to Miles’ world.
A warm, optimistic transgender coming-of-age and queer romance. (author's note) (Romance. 14-18)Pub Date: Feb. 14, 2023
ISBN: 978-1-250-83520-8
Page Count: 320
Publisher: Wednesday Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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