A compelling period piece which brings to life the early days of one of history’s greatest monarchs.
Wertman’s novel follows the unlikely rise to power of Elizabeth Tudor.
At the outset of Wertman’s first novel in her forthcoming Regina series, 11-year-old Elizabeth Tudor is deep in study with the private teacher her family hired for her brother, Edward, the heir apparent to their father Henry VIII’s throne. At this young age, Elizabeth is already far more compelled by her education than the machinations of royalty, a preference which is only underscored by her feelings of isolation from the rest of the court as the “illegitimate” daughter of the ill-fated Anne Boleyn. After her father’s death, Elizabeth’s younger half brother ascends to the throne, and Elizabeth is somewhat cast off, living away from the court, albeit in luxury with a governess and a beloved staff. Though unmarried, rumors swirl around the kingdom about Elizabeth’s potential suitors, one of whom is Thomas Seymour, husband to the late Katherine Parr (a close confidant of Elizabeth’s). Though Elizabeth did nothing to encourage Thomas Seymour, his lust for her is well documented, even going so far as an assault in her younger years, and it’s no secret he wishes to marry her. When Seymour becomes enmeshed in a treasonous plot to usurp Edward, it’s assumed by the king’s council—a group of royalty who are leading in Edward’s stead because he has not yet reached the age of maturity—that Elizabeth must have been involved. From there, Elizabeth is officially set against the family which controls her, a position that becomes all the more dangerous when her sister, Mary, succeeds the throne after Edward’s untimely death, vowing to restore Catholicism to the kingdom after Henry VIII’s schism with the church. Meticulously well researched, Wertman’s novel manages to capture some of the sumptuousness of English royal life: “The roses at Hatfield were at the height of their lasciviousness, calling out to random passersby with their shocking colors, enticing them closer with scents as heavy as incense. They were rich and gaudy and showy.” Elizabeth Tudor remains a fitting character for the 21st century, and Wertman does well to keep her story accessible for the modern reader, weaving together a pleasing tapestry of history, character, and great storytelling.
A compelling period piece which brings to life the early days of one of history’s greatest monarchs.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: March 5, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: yesterday
Kirkus Reviews Issue: Aug. 1, 2025
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