A compelling blend of historical portraiture and novelistic flair.
In this final installment of a historical fiction trilogy chronicling the Tudors, young Prince Edward suddenly becomes king and deals with palace intrigue.
When King Henry VIII succumbs to illness, his son, Prince Edward, only 9 years old, ascends to the British throne. Edward is provided counsel by his uncle Edward Seymour, the Earl of Hertford, who is made his Lord Protector and quickly promoted to the Duke of Somerset. Somerset is a sagacious veteran of the kingdom’s internecine political squabbles, but Edward chafes under his sometimes-prohibitive tutelage. The boy quickly becomes aware that many “bowed to Edward, obsequiously so, but they listened to Somerset.” Meanwhile, Tom Seymour, Somerset’s brother and another of Edward’s uncles, slyly manipulates the child king into endorsing a marriage between him and the Queen Dowager, an opportunistic bid to seize the reins of power, possibly by violence. As Edward grows ill and his reign looks to be a brief one, he frets anxiously that the succession to the throne of his Roman Catholic sister, Mary, will usher in a wave of “popish superstition,” a fear powerfully portrayed by Wertman: “Edward would fulfill his destiny. He owed it to God, who had entrusted him with removing superstition from his men’s prayer. He owed it to his people, as their king.” The author’s research is magisterial—this is a worthy history lesson wrapped in a compelling drama. The genealogical intricacies of the plot can become overwhelming, but the story as a whole is conveyed with admirable lucidity and emotional poignancy. The character of Edward is memorable—daunted by responsibilities he struggles to fully comprehend, he rises to the occasion as much as anyone could expect of a child. Wertman offers what everyone should want from historical fiction—rigorously enacted authenticity and gripping literary drama.
A compelling blend of historical portraiture and novelistic flair.Pub Date: July 21, 2020
ISBN: 978-0-9971338-7-5
Page Count: 364
Publisher: Self
Review Posted Online: Dec. 23, 2020
Kirkus Reviews Issue: Feb. 1, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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