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THE GRATITUDE DIARIES

HOW A YEAR LOOKING ON THE BRIGHT SIDE TRANSFORMED MY LIFE

Simple, effective procedures that can be easily incorporated into even the busiest lifestyle.

How a year of being thankful led to big changes in a woman’s life.

When editor and producer Kaplan (A Job to Kill For, 2008, etc.) made a New Year’s resolution to take a full year and show more appreciation in life, she didn’t realize what a difference that pledge would make. Since she had participated in a survey funded by the John Templeton Foundation on the idea of gratitude, she knew that “less than half the people surveyed said they expressed gratitude on any regular basis.” Determined to conduct her own experiment, she began by focusing on being more grateful to her husband, and she discovered little comments made a huge difference not only in her own attitude toward him, but life in general. She then extended her expressions of gratefulness to include her children, income, career, and health. Each week, she made a point of writing down the things, events, or people she was most appreciative of at that moment. Kaplan’s plan to be more grateful is approachable for anyone. Her conversational tone is encouraging, like talking to a good friend who’s having a great day and wants to share it with you. These days, instead of grumbling about the weather or other things that used to bother her, the author finds the humor and bright side of each moment. Having a positive attitude has been proven to change the neural pathways in the brain and rewire a person’s automatic responses. By practicing the art of gratitude, a person can make a subtle change in life, and the ripples can have far-reaching effects. “If we put good into the world,” writes the author, “maybe, just maybe, it starts to be returned.” There’s no harm in trying, especially when one reads how successfully it turned out for Kaplan.

Simple, effective procedures that can be easily incorporated into even the busiest lifestyle.

Pub Date: Aug. 18, 2015

ISBN: 978-0-525-95506-1

Page Count: 320

Publisher: Dutton

Review Posted Online: April 21, 2015

Kirkus Reviews Issue: May 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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