Sad and disturbing, yet buoyed by hope and formidable female characters.
In Alexander’s historical novel, drought and violent dust storms sweeping across the Texas panhandle bring tragedy and challenges to a young girl.
Ruby Lee Becker is only 10 years old in 1935 when she sits at the double funeral for her grandmother, Alma, and baby sister, Nell, both of whom succumbed on the same day to the deadly dust plague. Ruby’s mother, Willa Mae, is frozen with grief. Just days later, Ruby falls ill with “dust pneumonia” and is hospitalized. When she recovers, her father and older brother, Will, pick her up, but they drive her the train station, not home; Will is taking her to Waco, where the air is clear. He gives her $20 and leaves her with Granny Alma’s widowed cousin, Bess, with whom she is to live until the air in Hartless, Texas, is once again safe for breathing. Angry and frightened, Ruby decides the only thing in her control is her voice, and she decides to stop speaking. She hears nothing from her family, and in 1936, shortly after her 11th birthday, Cousin Bess dies. Ruby’s next stop is the Waco State Home for Dependent and Neglected Children, where she remains for seven years, despite repeated escape attempts. Playing out in tandem with Ruby’s story is that of her mother; unbeknownst to Ruby, Willa Mae has been placed in the state mental facility. The mother and daughter poignantly narrate alternating chapters in Alexander’s coming-of-age Dust Bowl narrative. In vivid, graphic prose, enhanced by dialogue that reflects the dialects and linguistic patterns of the period and social station of the characters (“A red sun augurs a bad day”), the author limns the chilling cruelty of the treatment of mental patients as well as the abuses that take place at the children’s home. There are also delightful interludes, as when Eleanor Roosevelt rescues Ruby during a dust storm, or when the school nurse gives her special (marijuana) cigarettes to help her asthma. Most appealing are the tender friendships that develop at the home and on the road as Ruby gradually learns that families can be created in all sorts of ways.
Sad and disturbing, yet buoyed by hope and formidable female characters.Pub Date: July 3, 2025
ISBN: 9781685136222
Page Count: 368
Publisher: Black Rose Writing
Review Posted Online: May 20, 2025
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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