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THAT WAY LIES CAMELOT

Hard-working Wurts pauses from her projected five-volume Wars of Light and Shadow fantasy (Curse of the Mistwraith, 1994) to gather up some stories. ``The Wayfinder,'' about a mysterious sailor and a pragmatic young woman who discovers her gift for remote viewing, is thoughtful and moodily satisfying, and the animal lore of ``Silverdown's Gold'' seems authentic and compassionate. Wurts's pure fantasies are filled with concrete details and have an eerie believability, but she is less successful when she appends fantasy to a realistic situation, as in the title story, where a miserable young woman is tending her dying nephew. The nephew's desire is to visit Camelot, and, forcing events in a most unlikely way, Wurts sees to it that he does. A surprise, though, is Wurts's skill with hard sf, demonstrated in several stories here featuring the same characters in military situations reminiscent of the original Star Trek and Robert Heinlein's juveniles—and better than either. In the startling ``No Quarter,'' a vain commander is ambushed by a clever pirate; the commander then proceeds to cover up his errors by exploding his ship and crew. Headquarters deduces what he has done but concludes that such ruthlessness is precisely what they want. Wurts's mixture of fantasy and hard sf is a little jarring, perhaps, but this is a compassionate, cynical, smart collection.

Pub Date: Feb. 1, 1996

ISBN: 0-06-105221-3

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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MALICE

From the Faithful and the Fallen series , Vol. 1

Gwynne’s effort pales in comparison to George R.R. Martin’s gold-standard work, but it’s nothing bad; the story grinds to a...

A middling Middle Earth–ish extravaganza with all the usual thrills, chills, spills and frills.

All modern fantasy begins with J.R.R. Tolkien, and Tolkien begins with the Icelandic sagas and the Mabinogion. Debut author Gwynne’s overstuffed but slow-moving contribution to the genre—the first in a series, of course—wears the latter source on its sleeve: “Fionn ap Toin, Marrock ben Rhagor, why do you come here on this first day of the Birth Moon?” Why, indeed? Well, therein hangs the tale. The protagonist is a 14-year-old commoner named Corban, son of a swineherd, who, as happens in such things, turns out to be more resourceful than his porcine-production background might suggest. There are bad doings afoot in Tintagel—beg pardon, the Banished Lands—where nobles plot against nobles even as there are stirrings of renewed titanomachia, that war between giants and humans having given the place some of its gloominess. There’s treachery aplenty, peppered with odd episodes inspired by other sources, such as an Androcles-and-lion moment in which Corban rescues a fierce wolven (“rarely seen here, preferring the south of Ardan, regions of deep forest and sweeping moors, where the auroch herds roamed”). It’s a good move: You never can tell when a wolven ally will come in handy, especially when there are wyrms around.

Gwynne’s effort pales in comparison to George R.R. Martin’s gold-standard work, but it’s nothing bad; the story grinds to a halt at points, but at others, there’s plenty of action.

Pub Date: Dec. 3, 2013

ISBN: 978-0-316-39973-9

Page Count: 640

Publisher: Orbit/Little, Brown

Review Posted Online: Nov. 16, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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THE SHADOW OF WHAT WAS LOST

From the The Licanius Trilogy series , Vol. 1

A promising page-turner from a poised newcomer who’s well worth keeping tabs on.

This doorstopper epic fantasy and trilogy opener was originally self-published in 2014.

The details that give this ingeniously plotted yarn its backbone emerge gradually—and are not always entirely clear. Twenty years ago, a war swept away and annihilated the tyrannical Augurs when their formidable magic inexplicably faltered. Their servants, the Gifted, whose lesser magic derives from Essence (Islington has an irritating habit of capitalizing things), were forcibly constrained to obey the Four Tenets, meaning they can no longer use their magic to cause harm even in self-defense. At a school-cum-sanctuary-cum-prison for the Gifted, three 16-year-old friends, Davian, Wirr, and Asha, face their final tests. Though an excellent student, Davian cannot use Essence and faces a cruel exile. He decides to abscond. Wirr believes Davian’s an Augur whose higher-order magic blocks his ability to channel Essence, and he insists on joining him. Ilseth Tenvar, a seemingly sympathetic Elder, gives Davian a mysterious magic box to guide his progress. The next morning Asha wakes to a nightmare of her own. On the road Davian encounters the strange, scarred Gifted Taeris Sarr, who three years ago saved his life (Davian doesn’t remember the incident) and supposedly was executed for his pains. In the far north an ancient evil stirs, while in a related development, Caeden wakes in a forest to find himself covered in blood and with no memory of anything. So, in time-honored fashion, nobody is what they seem to be, everybody has a secret agenda, and the key players all lack pivotal memories. And while there’s nothing much new here, Islington’s natural storytelling ability provides incessant plot twists and maintains a relentless pace. The characters have well-rounded personalities and don’t make decisions or errors merely to advance the plot, even if they all sound and act the same youngish age.

A promising page-turner from a poised newcomer who’s well worth keeping tabs on.

Pub Date: Nov. 8, 2016

ISBN: 978-0-316-27409-8

Page Count: 704

Publisher: Orbit

Review Posted Online: Oct. 4, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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