An insightful, hard-hitting, and tender tale of converging mental health journeys.
A YA novel offers an exploration of trauma in teenagers.
Shouse’s book features a trigger warning that gives almost a chapter-by-chapter breakdown of its content. The tale’s themes range from suicide and self-harm to misdiagnosis, sexual assault, and arson. Each chapter is narrated by one teen from a group of youths ages 14 to 18. The band is at Pleasant Valley Treatment Center, a mental health and rehabilitation facility for young people. The story opens with Tobias, a reluctant patient recently admitted after a suicide attempt, in the Maple unit. His perspective alternates with his eventual friends: Matthew, his roommate; the cool and friendly Derek, aka Six; pretty, bubbly Darla and her calmer friend Kate; quiet, intelligent Renee and her fiery, older sister figure, Liz; James, who seems sworn to silence; and the scar-faced Bullfrog. The alternating viewpoints trace the plot through scenes of group therapy. Readers, along with the patients, discover the backstory that landed each character in Pleasant Valley. Friendships among the teens develop as they help one another come to terms with their experiences and start the healing process. In the novel, Shouse makes the case that although the path to healing is neither linear nor easy, unconditional acceptance and love from those around the patients can make the odyssey worthwhile. The author’s first foray into YA fiction strikes the right balance between naïve hope and realistic skepticism in the handling of incredibly heavy themes. The characters are diverse in terms of age, race, socio-economic status, sexual orientation, and personality. The author skillfully commits to representation without linking this to such stereotypical themes as Black suffering. The book is well paced and smartly structured, with the alternating points of view serving to develop both the characters and the plot. Different approaches to mental health practices, from cognitive behavioral therapy to medication and mindfulness, are also cleverly examined through different players, further emphasizing that there is no one-size-fits-all solution to mental health. While some dialogue on healing reads as slightly stiff and dogmatic, the core themes of listening and showing compassion in the face of others’ suffering are expressed in simple, poignant terms. At one point, James tells Matthew: “You guys get it, even when you don’t.”
An insightful, hard-hitting, and tender tale of converging mental health journeys.Pub Date: May 24, 2022
ISBN: 978-1-945060-50-2
Page Count: 316
Publisher: Motina Books
Review Posted Online: June 14, 2022
Review Program: Kirkus Indie
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
A contemporary hero’s journey, brilliantly told.
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.
On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.
A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)Pub Date: Aug. 1, 2017
ISBN: 978-0-310-76183-9
Page Count: 464
Publisher: Blink
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
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