The entire collection brims with humor, pathos, and the heroic struggle to grow up.
In each of 10 stories, kids reentering the neighborhood from their school day reveal their unique narratives.
BFFs T.J. and Jasmine find their yearslong friendship getting them through parental separation, illness, and foster care. A group of four, all children of cancer survivors, has been brought together by a school counselor. A female skateboarder is the target of a bully—to the relief of his usual victim. A teen with the signs of OCD meets a street musician who changes her outlook. Two ardent gamers are caught up in the confusion of sexual questioning, and there’s an odd couple of friends whose difference in size is no barrier to their bond. A teen with a fear of dogs devises an elaborate plan to get past his neighbor’s new pet, and the class clown tries to find a way to make her overworked mother laugh. Three boys work to make their friend presentable enough to tell a classmate that he likes her. An accident sustained by the school crossing guard causes her son significant anxiety. There are connections among some of the stories: places, people, incidents. However, each story has its own center, and readers learn a great deal about each character in just a few lines. Reynolds’ gift for capturing the voices and humanity of urban teens is on full display. The cast adheres to a black default.
The entire collection brims with humor, pathos, and the heroic struggle to grow up. (Fiction. 10-14)Pub Date: Oct. 8, 2019
ISBN: 978-1-4814-3828-5
Page Count: 208
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A stronger-than-she-realizes heroine uses her disconcerting telepathic gifts to help others and heal herself in this...
After moving to a rural Australian town, Sasha’s unwelcome premonitions lead her to solve a string of art thefts while tackling her own issues.
Ever since her mum left, Sasha’s “life has turned into a huge, weird disaster area.” The sad, anxious Sasha knows her dad’s trying hard to hold the family together. When he accepts a police job in Manna Creek to “make a new life,” Sasha decides she’ll give “moving to the back of nowhere” a chance, just to make him happy. Unimpressed with the drab town, the bedraggled house behind the police station and the hostile locals who resent the new cop’s kids, Sasha and younger brother Nicky explore with their new pet police dog, King. Sasha’s freaked out when she finds that she and King can communicate telepathically and even more upset when she starts dreaming about local people, past and present, who are about to die. Is there something wrong with her? Should she tell her father or repress everything? In an authentic first-person voice, Sasha fumes at her missing mum, reacts negatively to Manna Creek, supports her father and brother and conveys her fears about her telepathic powers as she leads the tense, fast-moving plot to resolution.
A stronger-than-she-realizes heroine uses her disconcerting telepathic gifts to help others and heal herself in this satisfying adventure. (Paranormal adventure. 11-14)Pub Date: Sept. 1, 2011
ISBN: 978-1-61067-063-0
Page Count: 272
Publisher: Kane Miller
Review Posted Online: July 27, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Groups considering mounting productions that go beyond the popular musicals may want to consider looking at this uneven but...
Newly created plays for young people are not published very often, so this collection merits some attention.
The four dramas, commissioned by the well-respected Minneapolis Children’s Theater Company, are about growing up in ethnically diverse communities, but the plays cover different sets of problems for their young protagonists. Esperanza Rising, loosely adapted from the novel by Pam Muñoz Ryan, is set during the Depression, when Mexican immigrants competed with Okies for agricultural jobs in California. Esperanza changes from a pampered rich girl into a hard worker. The others are very contemporary. In Average Family, a reality-TV contest brings the wealthy Minneapolis Roubidoux family back to a Native American lifestyle they have never known. Also set in Minneapolis, the strongest play (at least on the page), Snapshot Silhouette, features a resilient Somali refugee, Najma, who finds both her voice and a new friend when she moves in with a well-meaning African American mother and her disaffected daughter; they are struggling as a family after the murder of an older daughter. Sasha, an isolated child of a Russian immigrant, finally gets to know her neighbors when she goes looking for a pen to write a research paper on the eponymous Brooklyn Bridge, the most artificial selection.
Groups considering mounting productions that go beyond the popular musicals may want to consider looking at this uneven but thought-provoking anthology. (Drama. 11-14)Pub Date: Oct. 1, 2011
ISBN: 978-0-8166-7313-1
Page Count: 296
Publisher: Univ. of Minnesota
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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