by Jay B. Gaskill ‧ RELEASE DATE: N/A
A lengthy but focused tale with characters that readers will root for.
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A cultlike group secretly implements a diabolical plan in the United States to rectify overpopulation in Gaskill’s (Gabriel’s Stand, 2014) thriller.
The movement in America to ratify the Earth Restoration Treaty seems like a noble cause. But the man covertly spearheading it is the Baron, an enigmatic German official. His true interest is the ratified treaty’s outcome, which will somehow allow his group to bypass “conflicting provisions” of the Constitution and take power. The Baron sends his mentee, Louise Berker, to the United States to push his agenda. Their group, the Gaia Antibodies Network, has its share of sympathetic senators and, to ensure treaty ratification, plans to assassinate senators who don’t support the movement. This includes Sen. Gabriel Sitting Bear Lindstrom; though he’s an environmentalist, the Baron feels his integrity and popularity could prove a detriment for the G-A-N. Berker sets about recruiting Gabriel’s daughter, Helen Snowfeather, who at first respects the G-A-N’s environmental message. That is, until she realizes the group is a cult that worships Earth goddess, Gaia, and believes humans are the planet’s greatest threat and should be treated as such. On achieving power in America, the G-A-N will be able to neutralize said threat by fostering a pandemic to wipe out humanity to near extinction. But at the heart of the nefarious plot is the Gaia Operations Directorate, which ultimately gains the power to outlaw both high-tech medicine and antibiotics. The G-O-D also has incentive to target people who defy the organization, putting Gabriel, Snowfeather, and others in danger of imprisonment or assassination. Despite the Baron initiating his scheme in the United States, it’s clear that the entire world is in peril. Nevertheless, Gaskill wisely centers the story on only a few characters. This allows for more character development for individuals like Dr. John Owen, a pharmaceutical maker, and Fred Loud Owl, a Navajo spirit guide. As such, the occasional death—or mysterious disappearance—has greater dramatic impact. The first third of the novel is the most enthralling, primarily concentrating on the G-A-N’s attempts to garner supporters. It’s believable that the environmental movement would attract people and equally frightening that it so easily transitions to fanaticism. Similarly, the gradual reveal of the cult is unsettling, particularly Snowfeather overhearing voices chanting to Gaia. The book’s latter part is slower, as many of those in defiance of G-O-D have either become fugitives or gone into hiding. But Gaskill’s prose throughout is concise, producing sharp images: “A handful of the deciduous trees on 11campus had begun to show color, stray red leaves among the oaks, and a few glittering gold spots among the birches, but the grass was lush and the sun warm.” And notwithstanding murders or severed body parts, the author keeps the obscenities and violence to a minimum. As the novel eventually becomes a simple matter of the good guys rallying fellow Americans against villainous groups, Gaskill paves the way for a thorough resolution. Still, there’s a small opening for a sequel.
A lengthy but focused tale with characters that readers will root for.Pub Date: N/A
ISBN: N/A
Page Count: 495
Publisher: Station Square Media
Review Posted Online: July 10, 2019
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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