Living proof of the healing power of music.
The moving and mind-boggling story of Tennessee jailbird harmonizers Johnny Bragg and the Prisonaires, from music impresario and author Warner (Billboard’s Book of American Singing Groups, not reviewed).
Bragg emerged from dire circumstances and poverty in Nashville to march straight into prison. The year was 1943, and Warner strongly suggests that the charges (six rapes) were trumped up against the illiterate black teenager in what was at the time a routine way for southern lawmen to clear their books of unsolved crimes. Bragg got 594 years. In the slammer, he joined a gospel group to help mitigate the boredom, the ugliness, and the violence of prison life. His tenor was glorious, and singing restored some of his dignity. Neatly braiding story strands involving music, religion, and politics, Warner explains in homey prose how the election of progressive Tennessee governor Frank Clement, who wanted to prove that men could overcome their errors and do good, helped alleviate Johnny’s situation. The Prisonaires played at churches, clubs, all the way up to the governor’s mansion. They recorded a number of songs, including the hit single “Just Walkin’ in the Rain.” Finally, Johnny got paroled, 15 years after he received his life sentence. It would be nice to report that he got a singing contract and all due royalties, but Warner goes on to report that what Johnny got instead was another (evidently) bum rap and another 10 years before he was released. He continued to sing thereafter, but his main gigs were at burial services. He still sings today, having married and attained a measure of security, as well as an unexpected old age. Johnny is quite the storyteller, and Warner makes good use of some terrific anecdotal material about Elvis, an interesting claim regarding Hank Williams’s “Your Cheatin’ Heart,” and Bragg’s reflections on his strange life.
Living proof of the healing power of music.Pub Date: Feb. 12, 2001
ISBN: 1-58063-140-1
Page Count: 256
Publisher: Renaissance
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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