A thought-provoking, hilarious, eloquent story of a young man realizing that the world is much larger than the one set up...
A high school valedictorian takes a madcap left turn in life.
Confident, white, 18-year-old Lance Hendricks’ life seems set for him. The all-around good guy’s got a gorgeous girlfriend of two years, early admission into Oregon State University on a scholarship, a 4.0 GPA, and he’s first chair trumpet player in the high school band. On his way home to Bend, Oregon, after a trip to Seattle, his 1993 Buick breaks down in the middle of nowhere, Washington, and the next five days change his life forever. Train-hopping, improbable brawls, whiskey shots, late-night parties at dive bars, and a mysteriously beautiful and unforgettable young white woman named Dakota are all part of the mix. Geiger’s first novel for teens is based in reality, but well-drawn elements of magical realism haunt its boundaries. There are genuine hairpin twists that will have readers wondering where the plot is headed and if it’s real. The ethereal Dakota is reminiscent of John Green’s Alaska, while the rest of the cast is crass, uncouth, dangerous at times, and winningly human. All of this is amplified by Geiger’s ability to spin laugh-out-loud, insight-filled one-liners to keep the pace up while the quieter moments balance the narrative with genuine beauty.
A thought-provoking, hilarious, eloquent story of a young man realizing that the world is much larger than the one set up for him. (Fiction. 14-adult)Pub Date: June 6, 2017
ISBN: 978-1-4847-4957-9
Page Count: 336
Publisher: Hyperion
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
Masterfully modernizing the gothic horror genre, McGinnis outdoes herself.
While one cousin grapples with murder, another seeks revenge in this Edgar Allen Poe–inspired sequel to The Initial Insult (2021).
Picking up where the first novel ended, this duology closer once again follows Tress Montor in mostly White, small-town Amontillado, Ohio. Still looking for answers about her parents’ mysterious disappearance 7 years ago, Tress is also haunted à la “The Tell-Tale Heart” by the murder of Felicity Turnado, whom she entombed alive in the previous entry. Alternating with her first-person narration are chapters from her often taunted cousin, Kermit “Ribbit” Usher. Reminiscent of the title character in Poe’s “Hop-Frog,” Ribbit plans for a deadly revenge against his tormentors as well as a heroic rescue of Felicity and a family-ordered killing. As before, the alternating point-of-view chapters, with taut storytelling, dark twists, and allusions to Poe, effectively play off one another. Reinforcing the converging storylines are interspersed cryptic free-verse poems by Rue, a caged orangutan who lives at the illegal exotic animal attraction owned by Tress’ grandfather. The overall effect this time ups the mystery, intensity, and horror (emphasis on the latter!), with a satisfying ending delivering answers about ongoing family questions and clashes. Readers must be familiar with the first book to fully appreciate this one.
Masterfully modernizing the gothic horror genre, McGinnis outdoes herself. (Thriller. 14-18)Pub Date: March 15, 2022
ISBN: 978-0-06-298245-2
Page Count: 384
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hinds adds another magnificent adaptation to his oeuvre (King Lear, 2009, etc.) with this stunning graphic retelling of Homer’s epic. Following Odysseus’s journey to return home to his beloved wife, Penelope, readers are transported into a world that easily combines the realistic and the fantastic. Gods mingle with the mortals, and not heeding their warnings could lead to quick danger; being mere men, Odysseus and his crew often make hasty errors in judgment and must face challenging consequences. Lush watercolors move with fluid lines throughout this reimagining. The artist’s use of color is especially striking: His battle scenes are ample, bloodily scarlet affairs, and Polyphemus’s cave is a stifling orange; he depicts the underworld as a colorless, mirthless void, domestic spaces in warm tans, the all-encircling sea in a light Mediterranean blue and some of the far-away islands in almost tangibly growing greens. Don’t confuse this hefty, respectful adaptation with some of the other recent ones; this one holds nothing back and is proudly, grittily realistic rather than cheerfully cartoonish. Big, bold, beautiful. (notes) (Graphic classic. YA)
Pub Date: Oct. 1, 2010
ISBN: 978-0-7636-4266-2
Page Count: 256
Publisher: Candlewick
Review Posted Online: Sept. 15, 2010
Kirkus Reviews Issue: Oct. 1, 2010
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