Wipe away all the blood and you’re left with a dull, unsurprising serial killer tale.
The death of an elusive serial killer, who may have snatched one last victim before he died, sends Chicago cops on a mad dash to uncover his identity and unravel his bizarre crimes.
Chasing a killer for five years is a grind, especially one as wily as the self-proclaimed Four Monkey Killer, who, in a tired twist on the vigilante theme, chooses his (young, female) victims based on the sins of their family members. For Chicago homicide detective Sam Porter, the case is nearly as consuming as the personal issues that eat away at him as predictably as Barker’s (Forsaken, 2014) other telegraphed plot developments. When a man steps in front of a city bus, it seems like suicide until his personal effects are examined and it’s discovered that he’s carrying a box addressed to Arthur Talbot containing a human ear, later identified as belonging to Talbot’s daughter, Emory. That’s Four Monkey’s calling card: first the ear (hear no evil), then the eyes (see no evil), then the tongue (speak no evil), and finally the corpse (do no evil). Except it seems like the killer’s own corpse is now in a body bag. Porter also finds a diary on the body—which Barker heavily excerpts and which readers might wish could be excised like the killer excises body parts—that chronicles Four Monkey’s unusually gory upbringing. Along with his partner, a motley assortment of cookie-cutter cops, and a CSI expert named Watson, whose ability to rattle off facts rivals the supercomputer, Porter races to find Emory, growing increasingly unsure if Four Monkey is really dead.
Wipe away all the blood and you’re left with a dull, unsurprising serial killer tale.Pub Date: June 27, 2017
ISBN: 978-0-544-96884-4
Page Count: 416
Publisher: Houghton Mifflin Harcourt
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.
The latest maritime thriller in the NUMA series starring Kurt Austin (The Rising Sea, 2018, etc.)
In 1968, the French submarine Minerve sinks without a trace in the Mediterranean. In the present day, an oil rig explodes in the Gulf of Mexico, killing and badly injuring many workers. Enter Kurt Austin, head of Special Projects at the National Underwater Marine Agency. Kurt leads a team that assists in marine emergencies, so they respond to the Mayday call and quickly find a stream of underwater flame—escaping gas is burning in the water, down “as far as the eye could see.” It’s a fire that needs no oxygen, a phenomenon Kurt’s team has never seen. NUMA calls the disaster clear-cut sabotage, and Kurt’s assignment is to find the guilty party. Said party is Tessa Franco, CEO of Novum Industria, who is busily sabotaging oil production around the world. She wants to promote her new fuel cell to replace “this mad reliance on fossil fuels” and become even more stinking rich than she already is. She has “infected half the world’s major oil fields” by pumping oil-eating bacteria into them, rendering them useless. “She is the oil crisis,” Kurt tells the president. Kurt's and Tessa’s teams race to locate the Minerve, which may have critical genetic research Israel commissioned half a century ago. There are great action scenes underwater and on the surface, where Tessa’s seaplane, the Monarch, is almost as big as a 747. Rotten to the core, Tessa wants her lackeys to “get rid of Austin once and for all.” Her odds look mighty good considering the firepower she brings to bear.
Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.Pub Date: Nov. 6, 2018
ISBN: 978-0-7352-1902-1
Page Count: 416
Publisher: Putnam
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...
In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.
On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-285679-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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