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SURREALITY

STRANGE TAILS OF A MAN SITTING DOWN THE BAR FROM YOU

A work by a down-to-earth writer who tells it like it is, even when life seems harsh, unfair, or downright bizarre.

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A gritty collection of true-life stories featuring themes of retribution and comeuppance.

As the subtitle suggests, Bradley (Reflections on Freedom, 2013) writes in a conversational, no-nonsense style that fits the raunchy content of the anecdotes in this slim, autobiographical volume. After a few tales from childhood and adolescence, he turns to his experiences in the U.S. Army, which he characterizes in retrospect as “brutal idiocy.” Gleefully leaving the military behind, he settled first in Walla Walla, Washington, then in Corpus Christi, Texas. Throughout the text, the author demonstrates a low tolerance for bullies of many stripes. Whether he’s targeting a corrupt police officer, a cruel military superior, or a serial rapist, Bradley describes his code of ethics in this way: “I do not respect ‘the law’, especially when it is unjust but I have only ever victimized people who victimize others.” Thus, he dispenses his own brand of justice and imparts cutting nuggets of wisdom: “Place blame on life and see if it cares or stand up and be a survivor. Fuck being a victim of circumstance.” Over the course of 44 brief chapters, he displays for readers a curious combination of bravado and humility and, ultimately, a growing maturity. He discovered a sense of family among people who showed him compassion when he was down and out—battling depression, substance abuse, and dire economic straits. Those people included Wild Bill, a Vietnam veteran fighting cancer; Wheelchair Mike, a homeless paraplegic; and the denizens of Sweet Lips, a topless bar. After Wheelchair Mike is murdered in a cruel, grotesque manner, Bradley elegizes: “If there’s an afterlife, I hope he’s there with two legs, a big bottle of Heineken and ‘a fine assed mamacita’ as he liked to say.” Not every chapter fires on all cylinders in terms of emotional impact. However, there are enough that do for the book to warrant a look, particularly by readers with strong constitutions who can stomach large doses of reality.

A work by a down-to-earth writer who tells it like it is, even when life seems harsh, unfair, or downright bizarre.

Pub Date: Dec. 21, 2014

ISBN: 978-0692318461

Page Count: 108

Publisher: Mojoincc

Review Posted Online: April 20, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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