by J.D. Vance ‧ RELEASE DATE: June 28, 2016
An unusually timely and deeply affecting view of a social class whose health and economic problems are making headlines in...
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A Yale Law School graduate’s account of his traumatic hillbilly childhood and the plight of America’s angry white working class.
“Americans call them hillbillies, rednecks, or white trash,” writes Vance, a biotech executive and National Review contributor. “I call them neighbors, friends, and family.” In this understated, engaging debut, the author reflects on his stormy journey from the coal-country Kentucky hollers of Appalachia to the declining Rust Belt to life among the Ivy League–educated elite. Born into a poor Scots-Irish family—with a pill-addicted mother and “revolving door of father figures”—Vance was raised in Ohio by his beloved and newly middle-class grandparents, hardworking believers in the American dream who married in their teens and never shook the trappings (abuse, addiction, and constant fighting and screaming) of their native Kentucky’s hillbilly culture. Mamaw, his grandmother, once set her husband on fire when he came home drunk; Papaw, a violent grouch, tossed a Christmas tree out the back door. In scenes at once harrowing and hilarious, we come to know these loud, rowdy gun-toters as the loyal and loving family whose encouragement helped the author endure “decades of chaos and heartbreak.” In the Marines and at Yale, Vance learned to make responsible adult choices and overcame the learned helplessness that characterizes many in the working class. Pointedly identifying the cynicism and willingness to blame others endemic among that class, he describes the complex malaise—involving sociology, psychology, community, culture, and faith—that has left so many bereft of connections and social support and unable to find high-quality work. The solution, he believes, is not government action but in people asking themselves “what we can do to make things better.” Declaring that he survived with the help of caring family and friends, he writes, “I am one lucky son of a bitch.”
An unusually timely and deeply affecting view of a social class whose health and economic problems are making headlines in this election year.Pub Date: June 28, 2016
ISBN: 978-0-06-230054-6
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: April 29, 2016
Kirkus Reviews Issue: May 15, 2016
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SEEN & HEARD
BOOK TO SCREEN
SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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BOOK REVIEW
by Richard Wright ; illustrated by Nina Crews
BOOK REVIEW
by Rebecca Skloot ‧ RELEASE DATE: Feb. 9, 2010
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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edited by Rebecca Skloot and Floyd Skloot
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