Complex, conceptual speculative fiction that’s rendered with breathtaking ease.
In Tobal’s SF novel, a 20-something man discovers a technique for traveling between alternate universes—which, in the long run, could cause a cosmic apocalypse.
Bartender Sam Cattan and tattoo artist Una Malia Owens are a couple in New York City. One day, Sam accidentally discovers that, among Una’s collection of pagan god idols, there’s a particular effigy of a fertility deity that has the power to teleport them to alternate realities; in their case, the worlds seem based on the setting of whatever pornographic videos they’re watching. (Thankfully, the descriptions are not overly graphic.) This becomes the recreational foundation of their affair, but it ends badly when Sam cheats on Una in one of the X-rated universes. Tormented by loss, guilt, and desire, Sam starts questing through other settings, hoping to find one where he and Una didn’t break up; in the process, he learns more about universe-jumping and the surprisingly large number of people—including members of a shadowy government regulatory agency—who also know the trick. Although Sam seems like an ordinary guy driven by love, the ease with which he traverses the multiverse signifies that he's much, much more—and therefore unimaginably dangerous. Tobal’s narrative is a hell of a ride—and, indeed, Hell is one of the first places Sam visits. It’s a tale that’s ambitious on a scale that brings to mind the works of Olaf Stapledon, laying out a map of reality based on potentially infinite numbers of universes and choices—although in Sam’s case, whether he possesses free will in his cross-dimensional rampages is seriously in question. Ultimately, the novel delivers a lucid, credible, mechanistic explanation for its multiverse and its human wanderers. Genre readers may be reminded of Ursula K. Le Guin’s classic The Lathe of Heaven (1971), but this book is very much its own creature, combining science, philosophy, Lovecraft-ian horror, dark humor, romantic tragedy, and the origin of all creation. It’s a tall order, but Tobal keeps the plates spinning in multiple dimensions at once.
Complex, conceptual speculative fiction that’s rendered with breathtaking ease.Pub Date: Nov. 11, 2022
ISBN: 9781958729526
Page Count: 448
Publisher: Mindstir Media
Review Posted Online: Feb. 6, 2023
Kirkus Reviews Issue: April 1, 2023
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A compelling and skillfully written end to a thrilling fantasy series.
In the final book of Corland’s dark fantasy trilogy, a ragtag band works together to liberate a colony and dethrone tyrants.
A group of spies, thieves, and murderers, united by a common goal of ending the treacherous rule of King Joon of Yusan, regroup after a bloody battle claims the life of one of their own—the banished Yusanian prince, Euyn. However, there’s little time for Mikail, Aeri, Sora, and Royo to mourn. Bounty hunters and assassins are after them, in part because they now possess three of five legendary Relics of the Dragon Lord. Mikail, who’s just found out that he’s the last surviving member of a royal family, wields the Water Scepter of Wei, while Aeri, King Joon’s daughter, holds the Sands of Tim and the Golden Ring of Khitan. The remaining relics—the Flaming Sword of Gaya and the Immortal Crown—remain with King Joon, who’s desperate to have all five to wield a great deal more power. Meanwhile, the cruel Count Seok, who once indentured Sora, has usurped the throne of Yusan. The group has two goals: overthrow the king and liberate the Yusanian colony of Gaya—Mikail’s homeland—so that it can again be a thriving, independent realm. The relics are powerful tools in combat, but using them is adversely affecting Aeri and Mikail’s health. They need allies, but trusting strangers is a dangerous gamble. Corland’s final book in her Broken Blades trilogy is a relentlessly thrilling and action-packed dark fantasy featuring memorable characters, intense battle scenes, romance, and a satisfying conclusion. Alternately narrated by Aeri, Mikail, Sora, Royo, and their long-lost friend, Tiyung, readers benefit from watching the story unfold through the perspectives of each compelling, well-drawn character. The author’s passion for the fantasy genre shines through in the novel’s richly detailed worldbuilding, including vivid descriptions of landscapes and palace layouts, as well as its exploration of magic. Readers will also delight in the sardonic humor sprinkled throughout, as when Mikahil narrates, “Rune thinks he fathered Seok’s son. Truly, the nobility of Yusan has too much time on their hands.”
A compelling and skillfully written end to a thrilling fantasy series.Pub Date: July 15, 2025
ISBN: 9781649379153
Page Count: 512
Publisher: Entangled: Red Tower Books
Review Posted Online: May 19, 2025
Kirkus Reviews Issue: July 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
