A tale from a promising writer that grabs readers from the very first line!
In Weiner’s Southern gothic debut novel, a Polish immigrant family struggles under a family curse.
Marcin Anderwald and his wife, Agnieszka “Aga,” are Polish immigrants trying to make a go of it in Texas Hill Country. When the Civil War breaks out and Texas throws in with the Confederacy, the Rebels hire Marcin for his carpentry skills. Enter Pvt. Augustus Brewer, a vicious excuse for a human being. Marcin is instrumental in sending Brewer on a fatal mission, and his body is grotesquely mutilated. Marcin, a decent man, is filled with remorse, having known that the lame Brewer would probably be killed. But here the Gothic starts: Pvt. Brewer lays a curse on the Anderwalds and their descendants. Their youngest child is killed by water moccasins. Soon after, Aga dies, but she becomes a ghost, a figure in white, fighting, as well as she can, Brewer’s evil, sensed as a black shadow accompanied by a horrible stench. And soit goes down through the decades. Marcin’s son Zacharias and his wife aren’t immune, nor is their son, John Marcin Anderwald, and his wife and children. Which brings us to the near-present and the danger of yet another generation. We can only hope that Brewer is now satisfied or exorcised. In Weiner’s debut novel, her characters are well drawn, often complicated, people; even the most flawed have backstories to help us understand them. The battle of good versus evil—Aga versus Brewer—is so well done that readers may find themselves half believing this unnerving tale, the mark of a really good ghost story. Here is Marcin being spooked by the dark shadow (and in a graveyard!): “A soft breeze began to stir again, shepherding a raw and menacing wail through the air.” There is so much to this book: good versus evil, really scary, spooky stuff (and let’s not forget the camels and the peafowl).
A tale from a promising writer that grabs readers from the very first line!Pub Date: March 18, 2025
ISBN: 9781963452105
Page Count: 320
Publisher: Htf Publishing
Review Posted Online: Jan. 28, 2025
Kirkus Reviews Issue: April 15, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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