Readers will wish for a Fiona or Jane in their own lives.
Who knows you better: you or your best friend?
Close friends Fiona and Jane—or Jane and Fiona—are constant presences in each other’s lives, sometimes from afar, sometimes in each other’s faces. From childhood through early adulthood, the two Taiwanese American young women scramble though the obstacle courses of their lives, each negotiating complicated family circumstances and carrying the weight of secrets kept from them and secrets they keep from others. Both spend their childhood in southern California—Fiona after emigrating from Taiwan—in households shadowed by the specter of a father missing in one way or another. Adolescence and young adulthood propel the girls onto separate courses of education, employment, finances, and sexuality, but they never leave each other’s emotional orbit entirely. Presented in a series of short stories told from alternating perspectives, Fiona’s and Jane’s stories (story, really) recount the realities of a girlhood spent in league with someone else who “gets” you (for the most part). The duo’s coming-of-age saga is shot through with moments of clarity and understanding: realizing you are competitive with your best friend, realizing your mother knows (and knew) things, realizing you are not the only one with secrets. (Some realizations are fully articulated, some left for the reader to work out, a stylistic choice that intrudes at times.) Ho’s adept captures of childhood confusion, teenage angst, and adult malaise lend the stories a universality that is not undermined by her equally precise dissections of racial and sexual issues facing Fiona and Jane. The misogynistic dangers facing the girls as they stretch their high school wings in the gorgeous and nerve-wracking story “Go Slow” echo throughout the work as a whole, with a particularly resounding tone in the devastating precis, “Korean Boys I’ve Loved.”
Readers will wish for a Fiona or Jane in their own lives.Pub Date: Jan. 4, 2022
ISBN: 978-0-59-329604-2
Page Count: 288
Publisher: Viking
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
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