Running away from an arranged marriage with simpleminded Donald, thirteen year-old Julie (she prefers Miyax, her Eskimo name) survives on the barren tundra by making friends with a family of wolves. Her patient, intelligent courting of the animals — observing their signs of leadership, submission, etc. and aping the appropriate ones — and her resourcefulness in keeping herself alive (first with a bite of meat a wolf regurgitates for her, then by smoking and freezing what the wolves leave of the caribou they kill) are meticulously observed. In a central flashback we learn of her life to date — at seal camp with Kapugen, her widowed father who taught her to live in the wild, in town with her unsympathetic aunt who calls her Julie, sends her to an American school, and tells her of Kapugen's presumed death, then with Donald's family, reasonably contented until he, goaded by the other boys, roughly attempts to assert his husbandly prerogative. Now Miyax plans to make her way to a harbor town, then fly to the pink bedroom and velvet theater seats promised by her pen pal in San Francisco. But as she nears the coast months later (the wolves still paralleling her course) a plane appears. Then the air explodes with gunshots and the magnificent Amaroq, her adoptive wolf father, is killed. "Black exhaust envolved her, and civilization became this monster that snarled across the sky." The final devastation occurs when Miyax, having heard from traveling hunters that Kapugen is alive, arrives at her father's new house to find, along with the harpoons and kayak and couch of furs, a white wife, electric lights, and a helmet and goggles. "'Aw, that. I now own an airplane, Miyax. It's the only way to hunt today. The seals are scarce and the whales are almost gone.' . . . Kapugen, after all, was dead to her," and later, alone in the snow, Miyax sings to the totem she has carved of Amaroq "that the hour of the wolf and the Eskimo is over." Though remarkable Miyax and her experience are totally believable, her spirit living evidence of the magnitude of the loss.
Pub Date: Nov. 10, 1972
ISBN: 0064400581
Page Count: 180
Publisher: Harper & Row
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Nov. 1, 1972
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
A solid series starter for tinkerers and adventurers alike.
Even robot cats have a mind of their own.
All 12-year-old Canadian Lacey Chu’s ever wanted was to become a companioneer like her idol, Monica Chan, co-founder of the largest tech firm in North America, Moncha Corp., and mastermind behind the baku. Bakus, “robotic pets with all the features of a smartphone,” revolutionized society and how people interact with technology. As a companioneer, Lacey could work on bakus: designing, innovating, and building. When she receives a grant rejection from Profectus Academy of Science and Technology, a school that guarantees employment at Moncha Corp., she’s devastated. A happenstance salvaging of a mangled cat baku might just change the game. Suddenly, Lacey’s got an in with Profectus and is one step closer to her dream. Jinx, however, is not quite like the other bakus—he’s a wild cat that does things without commands. Together with Jinx, Lacey will have to navigate competitive classmates and unsettling corporate secrets. McCulloch effectively strikes a balance between worldbuilding and action. High-stakes baku battles demonstrate the emotional bond between (robotic) pet and owner. Readers will also connect to the relationships the Asian girl forges with her diverse classmates, including a rivalry with Carter (a white boy who’s the son of Moncha’s other co-founder, Eric Smith), a burgeoning crush on student Tobias, who’s black, and evolving friendships new and old. While some mysteries are solved, a cliffhanger ending raises even more for the next installment.
A solid series starter for tinkerers and adventurers alike. (Science fiction. 8-13)Pub Date: Jan. 1, 2020
ISBN: 978-1-4926-8374-2
Page Count: 336
Publisher: Sourcebooks
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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