by Jean Edward Smith ‧ RELEASE DATE: March 20, 1992
According to Smith (Political Science/Univ. of Toronto; Lucius D. Clay, 1990, etc.) in this volatile study, America's adventure in the Persian Gulf War was not a crusade for freedom but a checkpoint on the personal agenda of George Bush, who disregarded constitutional restrictions on presidential power and cynically manipulated the public, the press, Congress, and even the military. Quoting contemporary media accounts, books, and academic and law journals, Smith chronicles Bush's personalization of the crisis and details the resulting twists and turns of public perception, policy, and action. By Smith's account, Bush showed little interest in the Iraq situation until he met with Margaret Thatcher, who ``performed a successful backbone transplant'' and convinced him that Saddam Hussein posed a Hitler-like threat to the entire Middle East. According to Smith, this resonated with Bush's penchant for heroism and led him to adopt a ``crusading'' posture against Iraq. This personalizing of world affairs resulted in rapid, short-term success, but Smith spells out its possible dangers for democracy: Bush's alleged disregarding of expert advice, particularly from the State Department and the military, could have led to disaster, Smith says; and the crumbling of congressional caution during the crisis, he adds, undermined the separation of powers, making the President a virtual dictator of foreign policy. Particularly damning is Smith's abundant evidence of the Administration's policy of ``minimum candor'': even Generals Powell and Schwartzkopf apparently learned of Bush's decision to switch from defensive to offensive operations through TV news reports. Balancing criticism of the President with praise for military professionalism (especially in resisting adventurous campaigns), this study gives a better sense of the complexities of the situation, and sticks closer to the reported facts, than Stephen Graubard's similar (and similarly titled) Mr. Bush's War (to be published next month).
Pub Date: March 20, 1992
ISBN: 0-8050-1388-1
Page Count: 336
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1992
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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