Yellin’s fine reconstruction of an impressive personality should firmly embed Jacobs in American cultural history. (16-page...
Graceful, honorable portrait, extensively documented and annotated, of the woman who wrote Incidents in the Life of a Slave Girl.
Yellin, who previously edited a modern edition of Jacobs’s 1861 classic, makes no bones about being an Old Lefty and, out of that tradition, being drawn to the powerful slave narrative. Many scholars have cast doubt on the authenticity of the book’s story and questioned whether Jacobs actually wrote it; Yellin dug deep, pulling together her subject’s extant letters (of which there are a gratifyingly substantial number) and deciphering the names of the real characters behind the pseudonyms. She makes it clear where the evidence is scant, but finds a syntactical identity between the letters and the narrative. Yellin fixes Jacobs’s early experiences in the social history of Edenton, North Carolina, home to freeborn, emancipated, and slave populations, as well as the white families for whom she worked. The author is rightly wowed by a woman who learned to read despite anti-literacy laws and, unlike Harriet Tubman and Sojourner Truth, actually wrote her own autobiography—with the help of Lydia Maria Child, granted, but in her own words. During the Civil War, Jacobs did relief work for refugees and the poor and wrote about it for Northern newspapers. Later, she helped establish schools, gardens, orphanages, and old-folk homes, operating at ground level as an activist in the true sense, as strong a resister of racism as the ex-slave desperadoes of the antebellum South. Yellin displays a pleasing and unusual ability to be both euphonious and punchy as she weds Jacobs’s story to the politics of the times: Nat Turner and David Walker’s Appeal, Frederick Douglass’s North Star, and Samuel Cornish’s Rights of All. In her final years, Jacobs ran boardinghouses, fed the poor, even worked cleaning houses, always engaged with life on a fundamental level.
Yellin’s fine reconstruction of an impressive personality should firmly embed Jacobs in American cultural history. (16-page b&w photo insert, not seen)Pub Date: Jan. 15, 2004
ISBN: 0-465-09288-8
Page Count: 356
Publisher: Basic Civitas
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2003
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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