Dumont’s lesson can run shallow or deep, but it is a winner either way.
When the sheep go on strike, this French farmyard finds a national tradition has crossed species.
“Why are we always the ones who get sheared?” demands Ernest, the Trotsky of the assembled sheep. Why not cat-hair sweaters or donkey-hair britches? Well, readers will think of plenty of reasons, but that won’t stop Ernest. Who freezes come October? Who then must get shots for their colds? On strike! Shut the shearers down! Agog, Dumont’s other finely etched, autumnal-colored farmyard creatures see Ernest’s point. Ralph, the sheepdog, tries a sheepdog’s time-honored trick—he nips a sheep—but they rally and stampede him, “hollering about police brutality.” Sides are taken; the sheep decide to march for their demands. Around one corner, they meet a phalanx of dogs. The protestors engage, then retreat and rethink their tactics. The idea of sharing gets batted about—an equitable distribution of labor, if not in so many words: “We give our eggs every morning,” says one hen. “Not all of them, luckily, not all of them!” counters a fortunate chick. An idea is born: It’s never too early to introduce “from each according to their abilities, to each according to their needs” (as long as they are not piggy-wiggies).
Dumont’s lesson can run shallow or deep, but it is a winner either way. (Picture book. 4-8)Pub Date: Oct. 27, 2014
ISBN: 978-0-8028-5470-4
Page Count: 33
Publisher: Eerdmans
Review Posted Online: Aug. 5, 2014
Kirkus Reviews Issue: Sept. 1, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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