A worthwhile cautionary tale, accessible and appealing to reluctant readers.
If you see something, say something.
Tensions are running high as the crucial hockey game between the Hawks and the Cougars goes into overtime. Hawks captain Trace calmly lays out the strategy to the team, including narrator Max, who happens to be Trace’s best friend. Winning means a playoff berth, but also, it’s personal. Every Hawk would like to squelch the nonstop taunts of Cougar Jared and wipe the sneer off his face. In a crucial moment, Trace scores the winning goal…for the other team. The Hawks rush to support their inconsolable captain, but the winning Cougars are gleeful, and Trace’s verbally abusive dad doesn’t hide his displeasure. Trace’s depression lingers, and Max wonders if there’s more to the story. Later, at the mall, Trace’s ex-girlfriend, Cate, shares with Max the unsettling details of their recent breakup and the feeling that something bad is going down at Trace’s house. Max considers talking to Coach Scott but dismisses the idea. “As soon as you tell a teacher this stuff, everything gets messy.” Standing on the porch outside Trace’s house, the sound of a man’s angry yelling, a woman crying, and breaking objects confirms Max’s suspicions that something is wrong. What to do? Mills writes with economy, strong pacing, and crisply delineated characters. She nicely captures the flavor of team camaraderie and competitive rivalry. Max narrates in an energetic first-person as he grapples with his dilemma. Most characters read White.
A worthwhile cautionary tale, accessible and appealing to reluctant readers. (Fiction. 12-18)Pub Date: April 11, 2023
ISBN: 9781459834347
Page Count: 120
Publisher: Orca
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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