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TRUMAN

Never underestimate the feats an animal will brave in order to be reunited with their loved ones.

A tiny tortoise discovers just how brave he is when his girl unexpectedly takes a bus headed away from home.

Truman, like his girl, Sarah, is quiet, “peaceful and pensive,” unlike the busy, noisy city outside their building’s window. In just the first few spreads, Reidy and Cummins manage to capture the close relationship between the girl and her pet, so it’s understandable that Truman should worry when he adds up the day’s mysterious clues: a big backpack, a large banana, a bow in Sarah’s hair, extra green beans in Truman’s dish, and, especially, Sarah boarding the No. 11 bus. He’s so worried that he decides to go after her, a daunting feat for a tortoise the size of a small doughnut. Cummins’ gouache, brush marker, charcoal, colored pencil, and digital illustrations marvelously convey both the big picture of Truman’s navigation of the house and his tortoise’s-eye view of things. And the ending, when Sarah arrives home in time to scoop him up before he slips under the front door, stuttering her amazement at his brave feats, is just right. Sarah and her mother have pale skin and straight, black hair; other city dwellers are diverse. Peaceful and pensive like Truman himself, this book charms; there’s just something uplifting and wonderful about the whole package.

Never underestimate the feats an animal will brave in order to be reunited with their loved ones. (Picture book. 4-8)

Pub Date: July 9, 2019

ISBN: 978-1-5344-1664-2

Page Count: 48

Publisher: Atheneum

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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  • New York Times Bestseller


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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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  • New York Times Bestseller


  • IndieBound Bestseller


  • Caldecott Honor Book

Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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