With pages that beg to be sliced out and framed, a positive feast for the eyes.
An alphabetical album of birds flies in from the U.K.
From albatross to “zos-ter-o-pi-dae,” the images in this slightly oversized import consistently stun with their composition and use of color. A squadron of the aforementioned albatrosses glides serenely across the page, wings outstretched at a 45-degree angle to the page edges; in between the birds, slightly smaller jets leave perfectly horizontal contrails across a pearly gray sky. On the verso of one double-page spread, a Canada goose leads a brood of gray goslings in a semicircle against a snowy backdrop; across the gutter, a domestic white goose leads squawking yellow goslings in a mirroring pattern across a sandy barnyard. A lark perches on an old-fashioned radio microphone and sings serenely in the spotlight, framed by diagonal curtains of black. Colors are matte, depending for their effectiveness on contrast and the judicious use of Day-Glo pink—an artistic choice that works with the striking compositions to create some images that reach abstraction, as in a layered congregation of cockatoo crests. The slight couplets are significantly less distinguished, often struggling for both rhyme and scansion, but they are easy to overlook as readers’ eyes glide over the luscious pages. The image of a nightingale, framed in an open, circular window beneath a crescent moon, is alone worth the purchase price.
With pages that beg to be sliced out and framed, a positive feast for the eyes. (Picture book. 3-8)Pub Date: March 10, 2015
ISBN: 978-1-909263-29-1
Page Count: 56
Publisher: Flying Eye Books
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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