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ONE ALADDIN TWO LAMPS

An ardent defense of storytelling.

Telling tales.

A prolific writer across a range of genres, Winterson examines the richness of One Thousand and One Nights to argue passionately for the power of imagination. Melding memoir, fiction, and cultural criticism, she pays homage to Shahrazad, consummate inventor of seductive tales, who enlightens her captor—and would-be executioner, the Sultan Shahryar—about the power of imagination. “Imagination is key,” Winterson writes. “To see past the present, with its assumptions and constraints. To see round corners.” Stories teach us about what it means to be human, including that being human “can mean appearing in other shapes and other forms.” Stories, as the author discovered in her own life, give us permission to break out of ill-fitting strictures. Growing up lesbian, an only child and adoptee in an ultrareligious evangelical home, she felt that she was “simultaneously hiding a true self and finding a true self.” In the library, she found liberation in fiction that gave her a chance to imagine “what it is like to be someone else” and to inhabit new worlds. “One of the things I love about fiction,” she writes, “is that we can—and do—escape our fate. A word of caution here. This may not mean the characters in the story.” Turning to Shahrazad’s stories, Winterson notes that recurring themes are “harm done to those who are innocent” and “failure to recognise what is valuable, and what is worthless.” What is worthless, according to her, is mind-numbing work and rampant consumerism, for which, she speculates, sentient AI may provide an escape, having no interest in material acquisitions: “The invisible, unfettered, unbounded, non-material life of the imagination, and what it invents, that is the basis of reality.”

An ardent defense of storytelling.

Pub Date: Jan. 20, 2026

ISBN: 9780802167118

Page Count: 240

Publisher: Grove

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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UNFETTERED

For fans only.

The hoodie-and-shorts-clad Pennsylvania senator blends the political and personal, and often not nicely.

Fetterman’s memoir addresses three major themes. The first—and the one he leads with—is depression and mental illness, which, combined with a stroke and heart trouble, brought him to a standstill and led him to contemplate suicide. The second is his rise to national-level politics from a Rust Belt town; as he writes, he’s carved a path as a contentious player with a populist streak and a dislike for elites. There are affecting moments in his personal reminiscences, especially when he writes of the lives of his working-class neighbors in impoverished southwestern Pennsylvania, its once-prosperous Monongahela River Valley “the most heartbreaking drive in the United States.” It’s the third element that’s problematic, and that’s his in-the-trenches account of daily politics. One frequent complaint is the media, as when he writes of one incident, “I am not the first public figure to get fucked by a reporter, and I won’t be the last. What was eye-opening was the window it gave into how people with disabilities navigate a world that doesn’t give a shit.” He reserves special disdain for his Senate race opponent Mehmet Oz, about whom he wonders, “If I had run against any other candidate…would I have lost? He got beaten by a guy recovering from a stroke.” Perhaps so, and Democratic stalwarts will likely be dismayed at his apparent warmish feelings for Donald Trump and dislike of his own party’s “performative protests.” If Fetterman’s book convinces a troubled soul to seek help, it will have done some good, but it’s hard to imagine that it will make much of an impression in the self-help literature. One wonders, meanwhile, at sentiments such as this: “If men are forced to choose between picking their party or keeping their balls, most men are going to choose their balls.”

For fans only.

Pub Date: Nov. 11, 2025

ISBN: 9780593799826

Page Count: 240

Publisher: Crown

Review Posted Online: Nov. 17, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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HOSTAGE

A dauntless, moving account of a kidnapping and the horrors that followed.

Enduring the unthinkable.

This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.

A dauntless, moving account of a kidnapping and the horrors that followed.

Pub Date: Oct. 7, 2025

ISBN: 9780063489790

Page Count: 208

Publisher: Harper Influence/HarperCollins

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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