A smart study of star quality as an industrial process, written by an academic who still understands Hollywood’s cheap,...
A cinema archivist digs into the vaults of Golden Era Hollywood and comes up with a treasure trove of goodies.
In this epochal study on how the Hollywood studio system manufactures stars (sometimes out of little but a cute smile, and other times molding and channeling that indefinable stardust quality), Basinger (Film Studies/Wesleyan Univ.; Silent Stars, 1999, etc.) demonstrates a delightful ability to mix a formidable knowledge of film history, both as business and art form, with a fan’s appreciation of what film is all about. Despite the book’s title, only the first 100-odd pages really cover the factory process—both its winners, like tap sensation Eleanor Powell, and forgotten misfires like Anna Sten, whom Samuel Goldwyn tried to turn into the next Greta Garbo, only to find out that audiences didn’t want another Garbo (“If they had to accept some other exotic European, they’d take Marlene Dietrich”). In sections like “Problems for the System: The Human Factor” (subsections are titled “Disillusionment,” “Disobedience,” “Defection” and so on), Basinger does what she does best in turning out portrait after portrait of the great and not-so-great stars and workaday B-listers who churned out the product for the old bosses. Basinger understands that it’s not the star-machine process itself that is so fascinating, but rather the stars who are swallowed and spit out by the process. The author goes right to the heart of the matter in her examination of movie stars, those immortals walking the earth who define movie magic in all its baffling glory, like the ineffable, oft-ignored genius of somebody like Bing Crosby—“he’s got that meanness, plus a touch of larceny and the ability to con anyone out of anything.” Along the way, Basinger dissects the post–World War II collapse of the star system, which was replaced by the free-for-all age in which we currently live—no less interesting in its own regard, only more difficult to codify in all its slippery chaos. Basinger gives ample space to the qualities and typecasting of the likes of Brad Pitt and Julia Roberts, never indulging in sepia-tinged nostalgia for its own sake.
A smart study of star quality as an industrial process, written by an academic who still understands Hollywood’s cheap, sensuous appeal.Pub Date: Oct. 24, 2007
ISBN: 978-1-4000-4130-5
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience...
This compelling memoir of a German girl’s bitter, frightening life reveals the horrors visited upon an average family caught between two of the most cruel dictators in history.
Amidst the copious histories of Hitler and Stalin, historians have often neglected the horrific tales of innocent girls like Schulze, who early in World War II survived Nazi occupation, then was forced to hide in a secret attic for months at war’s end to escape sexual attacks from the invading rampages of the Russians. The Russian soldiers pillaged her tiny village of Doelitz, where women scrubbed their faces with ashes and dirt to make themselves unappealing to the Red Army’s serial rapists. With professional writer Collier’s help, Schulze tells a ground-level story that is at once haunting and shocking in its narration of ordinary, peaceful lives shattered forever by war. The small, poignant touches are riveting–the family’s favorite horse being dragged away to haul artillery; their argument about whether to follow Nazi orders to display Hitler’s portrait. Her inspiring story concludes with the long, harrowing struggle to escape to West Germany, followed by a months-long wait for a berth on a ship bound for America. Her first tastes of ice cream and pineapple aboard the ship are a fitting climax to a tale of never-ending stress and fear–and ultimately, redemption.
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience of all ages.Pub Date: Oct. 3, 2005
ISBN: 0-58348-072-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A daunting but worthwhile journey through the material and divine realms of our universe.
An intriguing if sometimes ponderous examination of man's place in the universe.
Bartow creates a systematic philosophic framework for integrating concepts from diverse disciplines, such as astrology, psychology, metaphysics, theology, eastern and western mysticism and quantum physics. The author uses complex–and often unintelligible–diagrams to create a visual representation of the corporeal and spiritual universe, building layers of complexity that illustrate the dynamic interaction of mind, matter, energy and spirituality. He divides man’s perception of the universe into objective and subjective categories with distinctive subcategories, using piano keys as the primary metaphor–the black keys represent the objective planes, embodied in the concrete laws of science, and the white keys represent the subjective interior planes. The author makes frequent use of the philosophies from such ancient traditions as the Kabbalah, Buddhism, the teachings of Don Juan and Tibetan thought. The massive scope of Bartow’s vision eventually becomes overwhelming, and the esoteric nature of the study will deter casual readers. Ultimately, however, the text will prove thought-provoking and rewarding for the diligent.
A daunting but worthwhile journey through the material and divine realms of our universe.Pub Date: N/A
ISBN: 0-9760863-0-1
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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